The Garden’s been good for fungus, lately. This shot comes from one of our Adult Education courses in the last couple of weeks, and now is as good a time as any to point out that we have another two-parter beginning this Thursday, October 18. The Medicinal Mushroom Workshop zeroes in on the use of mushrooms for health purposes throughout history and into contemporary medicine, so if you’re looking to find more information or snag a spot in the class, head this way.

Photo by Ivo M. Vermeulen

The New York Botanical Garden is, first and foremost, a world-renowned collection of flora. But you’d be hard-pressed to spend more than a few minutes walking under the boughs without recognizing the sing-song notes of our most gregarious residents. The birds of the Garden represent some of the most varied fauna in New York City, and not only are we a haven for passersby making the trip to cozier climates, but we’re further home to a menagerie of year-round species in all shapes and sizes.

It so happens that we get the best of both worlds in the fall. Migrating species gather up for the flight south while the locals buckle down for the coming winter, and Debbie Becker, binoculars in hand, is always there to see it; join her for our in-depth NYBG birdwatching course beginning in October and you’re sure to walk away with a new skill.

While the herons and egrets are soon to take flight for the season, and the hummingbirds already have their eyes on the clock, few realize how abundant the wildlife is here in the autumn. Thankfully, Becker has the roll call down pat. She’s been leading Saturday Bird Walks at the NYBG for over 25 years, making her one of the area’s foremost experts on NYC’s winged things. And while newcomers are always welcome to glean what they can from her weekend walks, motivated beginners won’t want to pass up Becker’s primer on birdwatching fundamentals.
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Seize your inspiration! Sign up for Summer Intensives to make the most of the season.

For Abbey Liebman, a fashion design artist in New York City, enrolling in the Botanical Art Summer Intensives was a rewarding way to broaden her skills in fashion design and the arts that was “well worth the money.”

“After taking just a few of the NYBG classes, I have already done freelance design work in botanical art for an apothecary company’s labels. I’d like to do more work like that or begin selling my own art,” says Abbey. She plans to get a certificate at NYBG over the period of a few years while she continues to work at her regular job.

Apothecary label illustration, by Abbey Liebman

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Ed. Note: Our delectable cooking adventures, botanical art primers, and flower arranging courses make the NYBG‘s Adult Education program one of the most robust horticultural experiences in the nation. True to form, we will soon offer courses for the amateur perfumer, introductions to what can only be called “plant alchemy.”

Read on for an interview with Julianne Zaleta, who brings her perfumer’s knowledge to the table in Natural Perfume Blending and Aromatherapy 101. Each is an upcoming part of this summer’s Botanical Spa course series, bringing the sensuous and luxuriant side of gardening home.

How did you start and how long have you been making your own scents?

I’ve been making my own scents for about ten years, but my love affair with plants started a very long time ago, in my mother’s garden when I was a child. When I look back I can see that my whole life has been about taking the next logical step to understanding and appreciating the plants around me. I’ve been a gardener, floral designer, herbalist and aromatherapist and I feel it’s all led me to this.
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Colors of the Field

“Chasing the light” is a phrase you’ll sometimes hear used by visual artists–often photographers and, in a slightly different sense, painters. The importance of illumination defines the form and attitude of what’s captured on canvas. And in the case of Lucy Reitzfeld’s art, it becomes a fundamental theme. Her paintings have centered on a search for “palpable” light, that which strikes the facades of skyscrapers and seems to fall on untouched snow–the instances when light appears to move and morph in such a way that you might reach out and touch it.

Along with Lucy’s husband, Robert Reitzfeld, the creative pair’s unique aesthetics work in complementary contrast, creating impressions from the rural and the urban. But for Lucy, whose work often straddles the line between in-the-field experiences and the insulated creativity of the studio, the methods of crafting are somewhat different. The traditions of the Impressionists and the plein air method are alive and well in her interpretations of the world around her.
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Try and name a few important crops, just off the top of your head. Were grapes or hops found anywhere on that list? They probably weren’t the first plants to come to mind, but there’s almost no doubt whatsoever: they’re two of the most constant influences on culture throughout our history. Beer and wine have been the indulgence of choice for entire civilizations, from Pharaohs to Caesars and up through our modern society.

As part of our Botany of Indulgence classroom series (see: chocolate), Donald McClelland brings his homebrewing know-how to our Midtown classrooms for an in-depth chat on the art and science of fermentation, pegging perfect flavors, and the equipment needed to start your own cask or keg at home. His experience is soundly based on personal necessity (and the life of a student, of course).
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Calendula officinalis, a flower popular in herbal skin preperations. (Photo by Ivo M. Vermeulen)

Did you catch that story in the New York Times last week about the “modern apothecary?” Did you think to yourself, “That’s all well and good, but what I’d really like to do is learn to make my own skincare?” And why shouldn’t you? You grow your own organic vegetables, cook them with carefully selected ingredients from locally sourced purveyors, you take your vitamins, drink herbal tisanes, and do yoga; you take special care of your inside, so why shouldn’t you take special care of the outside, too? And what could be more natural, or more local, than skincare you make yourself, from ingredients you grow yourself? Forget “farm-to-table!” You’re all about “garden-to-dressing-table!” But where to start?

On Tuesday, July 26, the Garden’s Adult Education department will be hosting a workshop at our beautiful Midtown Center, Herbal Spa Workshop: A Natural Approach to Beautiful Skin, from 6:15-8:15 p.m. The class, taught by herbalist Ursula Basch, will teach you how to use natural products to make herbal clay masks, moisturizers, lip balms, skin toners, foot scrubs, and more. You will also design your own essential oil blend and have the opportunity to sample various products, including the herbal clay mask, so dress appropriately! The class is $61 for Members, $65 for non-Members. The price includes a $20 materials fee.

So grab a girlfriend and learn about the next big trend in locavorism! The Midtown Center is located just two blocks away from Bryant Park, so after your evening of pampering, you can make an evening of it, and head over to the park and listen to live jazz under the stars (see listing for July 26).

Ed. note: We offer many classes here at the Garden in a plethora of disciplines and at many levels, from “just for fun” to professional (see a pdf of the catalog here). But no matter how appealing the subject, the classes would be nothing without the instructors. On Plant Talk, we’ll introduce you to them, and their stories.

Bill Einhorn, Instructor, Landscape Design

The year 2011 marks a milestone in my career at The New York Botanical Garden–it was 30 years ago that I received a call from the Garden with news that it received a grant for a summer internship and if I’d be interested in coming in for an interview. While that began my professional association with the Botanical Garden, my roots here run even deeper. When I was 5 years old, my mother signed me up for Children’s Education classes at the Garden. I vividly remember learning about and receiving a Venus’ flytrap and asking the instructor if it would eat my sister. I also returned to the Garden during my studies in Landscape Architecture at Syracuse University to walk the grounds and memorize trees. My wedding photos were taken in the Rose Garden, and my favorite time of the year was strolling along Magnolia Way when the magnolias were in bloom.

After my summer internship in 1981, the Garden invited me back during my spring and summer breaks, and upon graduation hired me to be on staff. I started teaching in the mid 1980s and to date, by my estimates, have instructed over 3,000 students. Several have gone on to graduate programs, joined or established successful businesses, or completed projects at their own homes.

My affiliation with the Garden has brought me many personal and professional relationships and has made me a better Landscape Architect. My greatest feeling of accomplishment is when I run into students from many years ago who tell me the impact that I have had on their careers. Hopefully, I have another 30 years left in me to enjoy teaching and experiencing the continued growth of the Garden’s programs.

Are you looking to change your life, like Bill did? In just five weeks you can earn almost half the total hours needed for a Certificate in Landscape Design. Interactive classes, taught by professional landscape architects and designers, cover each step of the design process, from site analysis to design development. Other subjects include landscape design history, graphics, and site detailing. Guest lecturers present their own work and discuss design philosophies, professional issues, and presentation strategies. The beautiful New York Botanical Garden is used for design projects and plant study.

Enrollment is limited to allow for individualized attention and comprehensive project critiques.

Medals for excellence were awarded to selected artists for their work in Green Currency: Plants in the Economy at the festive opening reception on Wednesday, April 20. This is the first medal-awarding international juried exhibition of contemporary botanical art in the United States, and is presented by the Botanical Garden and the American Society of Botanical Artists. The exhibition, which features 43 plants used in medicine, food, clothing, and shelter, will be on view in the Arthur and Janet Ross Gallery through July 31.

Dr. Shirley Sherwood, renowned contemporary botanical art collector and chair of the jury, along with Gregory Long, President of The New York Botanical Garden, presented the awards. Honorable Mentions for excellence in specific categories were also selected and announced. Click on an image below to see the commended works of art.

[Show picture list]

Gold: Beverly Allen, Coconut palm, Cocos nucifera, watercolor on paper

Silver: Asuka Hishiki, Garlic, Allium sativum, watercolor on paper

Bronze: Ingrid Finnan, Common ginger, Zingiber officinale, oil on paper

Honorable Mention, Prints: Monika deVries Gohlke, Jade-stripe bamboo, Bambusa vulgaris ‘Vittata’, hand-colored aquatint on paper

Honorable Mention, Drawing: Carrie Megan, Morels, Morchella sp., graphite on paper

Honorable Mention, Artistic Merit: Rosemary Bauman, Princess tree, Paulownia tomentosa, watercolor on paper

Honorable Mention, Work on Vellum: Karen Kluglein, Grapes, Vitis vinifera, watercolor on vellum

The New York Botanical Garden Acquisition Prize: Karen Kluglein, Grapes, Vitis vinifera, watercolor on vellum

A full-color exhibition catalog featuring all of the works in the show is available for purchase at Shop in the Garden. An audio tour in the Gallery includes personal statements from each of the artists; signage throughout the Garden grounds identify the living plants portrayed in many of the featured works of art.

The Garden’s Adult Education Program offers classes in Botanical Art for all levels. Browse courses,  or order a free catalog to learn more.

Ed. note: We offer many classes here at the Garden in a plethora of disciplines and at many levels, from “just for fun” to professional (see a pdf of the catalog here). But no matter how appealing the subject, the classes would be nothing without the instructors. On Plant Talk, we’ll introduce you to them, and their stories.

David Dew Bruner, Instructor, Landscape Design

My grandparents were great plant people. My grandfather bred Camillias under high-canopied pine trees in Breaux Bridge, Louisiana. Walking under those pines was transcendental for me. As I grew older, the pine forest experience would happen under many other trees, in may other places. I would build little house-like structures and fountains and pretend I was somewhere else.

Wanting to continue experiencing that transcendental pine forest feeling in new places, off to landscape design school I went. I knew very little about the subject and didn’t even know how to draw; I was scared I would be kicked out. Having only used a pencil for math problems, I tumbled into the world of art and design like Alice down the rabbit hole and immersed myself in this new world. (Do not fear new students; you, too, can learn to draw as I did. It’s about practice!)

This slowly acquired love of art and design has shaped me to this very day. I now have an antique store and art gallery where every week something new and beautiful comes into my life to keep me humble and inspired. For similar reasons I feel lucky to teach at The New York Botanical Garden, for every new class of students filled with potential and wonder is for me like discovering an unknown painting and falling in love with it. The simple, direct questions new designers ask make me dig deep into myself for logical, honest answers.