Garden Horticulturist Appears for Booksigning as Co-Author

John Suskewich is Book Manager for Shop in the Garden.

The publication of Botanica Magnifica: Portraits of the World’s Most Extraordinary Flowers & Plants gives us an occasion to really celebrate the career of our wonderful orchid curator, horticulturist, and all-around plant enthusiast Marc Hachadourian, the book’s co-author.

As Manager of the Nolen Greenhouses here at The New York Botanical Garden, Marc helps provide the spectacular range of material for the flowering displays that amaze and astonish visitors to our 250-acre Eden in the Bronx. This season, thanks to his propagation skills, the discerning observer would have seen Meconopsis in the Ladies’ Border, the towering Echium pininana from this year’s Dutch Bulbs spring flower show, and the usual killer show of waterlilies and lotuses in the Conservatory Pools.

But of all the plant families, Marc seems to have the greatest kinship for the Orchidaceae. This relationship is beautifully expressed annually in the work he does curating The Orchid Show in the Haupt Conservatory, in the displays he puts on throughout the year in the Library building Orchid Rotunda, and now between the covers of the quite striking new book, Botanica Magnifica. But he doesn’t stop there; he goes beyond orchids and has written more than half the text for the book.

It is an understatement to call this a luxurious volume of flower photography. Botanica Magnifica contains 250 portraits of rare and exotic plants taken by Jonathan Singer “in a manner evocative of Old Master paintings” (ARTnews). He is a Hasselblad Laureate Award winner—like an Oscar for shutterbugs—and his orchid images are especially memorable: the cymbidiums, dendrobiums, and Polyradicion, better known as the ghost orchid, float and fly and drip and droop against their black background with a sculptural quality that belies their transient beauty. read more »

The Art and Impact of Lynden B. Miller’s Public Gardens

John Suskewich is Book Manager for Shop in the Garden.

New York City, famous around the world for its great art, is the site of more masterpieces than you can shake a stick at. The Metropolitan Museum has Monet’s Terrasse a Ste.-Addresse; the modernist icon Lever House graces Park Avenue; you can ponder Louise Nevelson’s Sky Cathedral at MOMA. Here at The New York Botanical Garden there is a masterpiece of garden design, the Jane Watson Irwin Perennial Garden designed by Lynden B. Miller. It is a work of art.

For flower power alone it is astonishing, especially during its current late-summer and fall climax of anemones, astilbes, asters, and mums; of kniphofias, hydrangeas, phlox, and lilies. But like all great gardens it combines its inspired planting with strong design. There are axes and cross axes, themed rooms, grace notes, structural elements, repeated elements, and even whimsical elements like the three banana trees that have appeared this year in the “Hot Color Room.”

It’s all a painting really, a painting made of plants (I believe Ms. Miller was indeed trained as a painter). Look closely and it dissolves into its component plants, but step back and all the parts resolve themselves into one unambiguous image: a classic but unique mixed border that would be at home in the Cotswolds if it weren’t for its very American insistence on being individualistic, eclectic, almost impromptu, and diverse, ready to encompass the whole world with its exotic elements.

In a new book that is a summation of her long career as a public garden designer, Lynden Miller spells out the ethos of this garden and of her whole body of work, without which living in New York City in the 21st century would probably be unendurable. read more »