After I posted the relieving conclusion of the ‘Ray Davies’ saga, commenter Gene mentioned that another pond-dweller, this time a lotus, shared its name with yet another rock star–Scottish singer Maggie Bell. For those who didn’t catch the exchange, I dove in and found what I could of Nelumbo ‘Maggie Bell Slocum’, dubbed not for a rocker, but someone far more horticultural.

‘Maggie Bell Slocum’ was so named for the second wife of prolific water lily and lotus hybridizer Perry D. Slocum, a New Yorker and a long-lived icon in the pond plant world. This one still has stage presence, though, with or without the rock pedigree.

Nelumbo ‘Maggie Belle Slocum’ — Photo by Ivo M. Vermeulen

For all the wabi-sabi of the surrounding stands of lotus, you’ll find symmetry if you catch the Water Lily Pool from just the right angle.

Photo by Ivo M. Vermeulen

You could call our spotlight on the lotus blossoms an opening act. The true marquee headliners of Monet’s Garden–the prima donnas of our current collection–are without a doubt their nearby neighbors, the water lilies. There is no other flower in the landscape of spring, summer, or fall that so thoroughly represents the oeuvre of master Impressionist Claude Monet.

In the closing years of his life, the genus Nymphaea would come to define Monet’s obsession. He pulled dozens and dozens of scenes from that iconic spot by Giverny’s Japanese bridge, bringing concept to canvas with a verve few painters could match, then or now. Today, his water lily series stands as the ostensible height of his contribution to the history of art.

“It took me time to understand my water lilies,” Monet once wrote. “I had planted them for the pleasure of it; I grew them without ever thinking of painting them.”
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It’s warm but brilliant around the Water Lily Pools. Only shy a few deck chairs and some daiquiris, really. Ivo and I wandered over to the Conservatory the other day to figure out what the Garden’s horticulturists were getting themselves into, only to find everyone up to their waists in the pond. He immediately jumped into a pair of chest-high waders and joined the group–even if it meant swimming for them, Ivo had to have macro shots of the freshly-planted tropical water lilies. Just as I did, I suspect some of those gathered around the pool must have felt the slightest twinge of jealousy.

Meanwhile, I puttered toward the lotus blossoms.

Like I mentioned on Twitter, the scope of these mythic flowers isn’t something you can reconcile until you see them up close. A few of the Nelumbo nucifera blooms easily near the size of my head when in full splay! They stand there like planets in rings, petals spreading every which way in gradients of rosy color. Others, yet to open, point straight up in cones of spiraled pinks. Still others have already come and gone, leaving fresh seed pods behind. Through this cycle, with every point in the arc visible at once, I can see why the lotus is such an important symbol in followings like Buddhism and Hinduism. I’d have to write a tome to cover even a hint of its many spiritual meanings, from purity, to detachment, to the cycle of life itself.
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Rustin Dwyer is Visual Media Production Specialist at The New York Botanical Garden.

Waterlilies and Lotus in the Conservatory Pools from The New York Botanical Garden on Vimeo.