Our Fall Forest Weekend is a go! Join us all through Saturday and Sunday to celebrate what our 50-acre old growth Forest has to offer, as well as the particolored creations of Kodai Nakazawa in our stunning kiku installation, and the seasonal sculpture of Manolo Valdés. Check here for the event schedule!

Chrysanthemum ‘NYBG Series Orange’ — Photo by Ivo M. Vermeulen

Spend any time outside in the Garden this weekend and you’ll be hard-pressed to miss the work of Manolo Valdés. Trust me. The show officially begins September 22.

Photo by Ivo M. Vermeulen

We’re suckers for a good surprise (as long as we’re the ones behind it). But it’s a spot more difficult to keep the main event under wraps when it comes to exhibitions this impressive. Manolo Valdés casts a formidable shadow, sparing nothing to create some of the most striking–and colossal–visuals for our upcoming Monumental Sculpture exhibit; for the uninitiated, that’s our next major show here at the NYBG. And this week we jumped headlong into preparation for the September 22 opening.

All told, we couldn’t exactly sneak these sculptures into the Garden. Some of them, such as the Alhambra piece, weigh in at 40,000 pounds with spans reaching nearly 50 lateral feet; they’re not what you’d call statuettes. Arranging these monoliths has proven a spectacle in itself, drawing streams of visitors and employees alike, all snapping away with their cameras as we uncrate and maneuver massive heads and latticework by truck-mounted cranes. It’s a careful and dramatic process that we were able to capture a bit of in the last couple of days.
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Bats in the trees, ghosts in the garden, and jack-o’-lanterns every which way you look–Halloween is soon to creep its way back into the NYBG. And even for someone like me, who’s usually too busy to realize what time of year it is until the spirit is sneaking up behind me (the best way to experience the holiday, I suppose), there’s too much incoming excitement for us to let it wait until later.

This year, the Garden’s madcap Halloween events are back and even bigger than 2011′s. That’s if you can imagine us topping a cadre of record-breaking pumpkins carved into the stuff of nightmares. But we absolutely plan to! Plans are in the works to again feature the gargantuan gourds of the Great Pumpkin Commonwealth, which will once again go under the knife of master carver and ghoul-whittler extraordinaire, Ray Villafane. Together with his team of skilled pumpkin sculptors, he’s on track to top last year’s masterpieces a few times over.
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Ed. Note: While Monet’s Garden continues to enamor thousands of visitors to the NYBG through the fall, we’re always preparing for new and intriguing exhibitions. This includes our latest artistic explorations, which will culminate with a long-awaited unveiling in late September: the renowned sculptures of Manolo Valdés. As our Director of Exhibitions and Seasonal Displays, Karen Daubmann offers an advance glimpse into the artist’s creative process.

A few of us were lucky enough to have the opportunity to visit the New York studio of artist Manolo Valdés a few weeks back. We were working on a plan for exhibiting his maquettes in the Orchid Rotunda of the Library Building during the course of his exhibition, Manolo Valdés: Monumental Sculpture. Though the exhibit on the grounds opens on September 22, the maquette display will open on November 3.

Maquettes are small-scale models of artworks which help an artist to develop an idea. You can think of it as a rough draft, or a sort of “sketch” of a sculpture, which helps the artist to visualize and test shapes and ideas without incurring the costs and effort necessary to produce the full-sized piece. You can see from the photos below the variety of ways in which Valdés has explored the butterfly motif in his work.
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On any given day, our Twitter feed is a flood of information from fans, friends, fellow institutions and the daily happenings of New York City. But now and then we stumble over the kind of encouraging Garden adventure that pushes us to keep doing what we’re doing. That was the case last week, when Doing Art Together found its way into the stream.

Executive Director Heather-Marie Brooks Montilla and her colleagues are heroes of a sort. I don’t think they run into burning buildings all that often; neither are they with the Coast Guard. But they’re as committed to their cause as any fireman. And Doing Art Together (DAT), the group’s long-running educational program, is something of a rescue operation in its own right. Focused on under-resourced children and young adults aged four to 21, these teachers have spent decades working to keep the city’s kids on the right path, turning to art, day in and day out, to make a positive mark on impressionable minds.
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Tropical Storm Irene and her friend Lee certainly left their mark across the northeast. They left a trail of downed trees, broken limbs, and leaves pretty much everywhere. Not only did it give the arborists and horticulturalists here at NYBG plenty of work, but it also provided a unique situation for a commissioned sculpture in the Palm Dome of the Enid A. Haupt Conservatory. Internationally renowned installation artist Tetsunori Kawana–no stranger to working with natural materials–got the chance to try something new, recycling what would ultimately end up as compost or mulch into a sculpture, a “rebirth.”

See a documentary detailing Kawana’s process in creating Tanjou below.

Today is the Member’s Preview Day of our latest exhibition, Fall Flowers of Japan. And while entrance to the exhibition today is Members-only, we figured we would offer a different kind of sneak peek to our friends in cyberspace. As part of Fall Flowers of Japan, world-renowned ikebana master Tetsunori Kawana has created a gorgeous installation–TANJOU, which means rebirth–in the pool of the Enid A. Haupt Conservatory’s Palm Dome. TANJOU is created of materials gathered from Garden grounds in the aftermath of Tropical Storms Irene and Lee.

Head below to see a slideshow of the creation and installation of TANJOU.

Nick Leshi is Associate Director of Public Relations and Electronic Media.

Visitors of all ages have marveled at the sight of the monumental sculpture throughout the grounds of The New York Botanical Garden, where these works of art have stood sentinel since last spring. Moore in America, the largest exhibition of Henry Moore’s art ever displayed in a single venue in the United States, continues to attract praise from audiences and journalists alike, including Time magazine’s art critic Richard Lacayo, who named it one of the Top 10 Museum Exhibits of 2008.

Photographers, in particular, have been drawn to Moore’s captivating forms situated within the Garden’s historic landscape. In partnership with the International Center of Photography, the Botanical Garden hosted a photography contest in celebration of the landmark exhibition. The contest sparked many beautiful submissions, from which four monthly finalists were selected. From those four a grand prize was awarded, to Jimin Kim of Manhattan for his portrait of Large Reclining Figure. His winning image appeared in an advertisement for Moore in America in the December 4–10 issue of Time Out New York.

Runners-up included Julie Salles of Yonkers, Ken Schwarzof Lexington, Massachusetts, and Debra Allen of Pelham Manor. Their images, plus countless others submitted by garden- and art-loving shutterbugs during the months of the competition, showed how the sculpture could look fresh from different angles and with different lighting throughout the day and during the changing seasons, proving Moore’s desire to have viewers approach—and even touch—his artwork from different perspectives.

If you haven’t seen the exhibition yet, now is your chance. Moore in America is being extended through March 15. Even if you’ve seen it in spring, summer, or fall, now is your opportunity to see it in winter. Bring your camera and snap some pics for yourself while you’re at it!

Nick Leshi is Associate Director of Public Relations and Electronic Media.

Art fans, rejoice! Moore in America: Monumental Sculpture at The New York Botanical Garden , the largest outdoor exhibition of Henry Moore’s artwork ever presented in a single venue in the United States, is being extended through January 11, 2009.

The show, a collection of 20 major pieces, opened at the Botanical Garden on May 24, during the height of the spring flowering season. It garnered critical acclaim from the media and the public alike during the summer months. Now nearly all of these magnificent works by one of modern art’s greatest icons can be seen during fall and early winter, providing audiences with the chance to experience the sculpture for the first time or return again to witness them in contrasting seasons. The monumental pieces are positioned throughout the Garden’s 250 acres and among its 50 gardens and plant collections, complementing the historic landscape during nature’s changing cycles.

The extension of Moore in America through the holiday season guarantees that visitors to The New York Botanical Garden will be able to enjoy the outdoor sculpture while simultaneously experiencing the Garden’s other major exhibitions—Kiku: The Art of the Japanese Chrysanthemum through November 16, the Library gallery art exhibition The Chrysanthemum in Japanese Art through January 11, and the Holiday Train Show from November 23 through January 11. The Henry Moore Foundation, which is dedicated to furthering the understanding, appreciation, and enjoyment of Moore’s work, is co-curating Moore in America with the  Garden.

If you still haven’t had the chance to see Moore in America, now is the perfect time. And if you’ve seen it already, now you have even more time to see it again with friends and loved ones, discovering anew the combination of Henry Moore’s fine sculpture and the spectacular Garden settings in changing seasons.

Here’s a video in which Educator Anabel Holland tells us a little more about a few of the sculpture.

NYBG Henry Moore 2008 from The New York Botanical Garden on Vimeo.