Indian Reed
Canna indica

American Cowslip
Dodecatheon meadia

Round-Leaf Sundew
Drosera rotundifolia

Lamb of Tartary
Cibotium barometz

Sensitive Plant
Mimosa pudica

Peruvian Bark Tree
Cinchona officinalis

Golden Shower Tree
Cassia fistula

Night-Blowing Cereus
Selenicereus grandiflorus

Pheasant’s-Eye
Adonis annua

Indian Reed
Canna indica

American Cowslip
Dodecatheon meadia

Round-Leaf Sundew
Drosera rotundifolia

Lamb of Tartary
Cibotium barometz

Sensitive Plant
Mimosa pudica

Peruvian Bark Tree
Cinchona officinalis

Golden Shower Tree
Cassia fistula

Night-Blowing Cereus
Selenicereus grandiflorus

Pheasant’s-Eye
Adonis annua

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The Sensitive Plant Mimosa pudica

The Sensitive Plant Mimosa pudica

The Sensitive Plant
Mimosa pudica

Illustration of Canna Indica by H. C. Andrews Illustration of Canna Indica by H. C. Andrews

Henry Charles Andrews

The Botanist’s Repository  (1807—08)

Henry Charles Andrews
The Botanist’s Repository

(1807—08)

“Although this Mimosa is neither new nor rare, it is nevertheless very interesting, and has not hitherto made its appearance in any modern publication; nor is there any colored figure of it extant. Ou representation of it, therefore, is in part a novelty, however old and familiar the plant itself may be. According to the observations of Linnæus, it opens or expands its foliage at three in the morning, and close it about six in the evening. Its singular quality of shrinking from the touch is supposed to be owing to its being strongly saturated with oxygen gas, which it disengages upon the slightest provocation.”

Mimosa pudica by Duppa Mimosa pudica by Duppa

Richard Duppa

Elements of the Science of Botany  (1812, 3rd ed.)

Richard Duppa
Elements of the Science of Botany

(1812, 3rd ed.)

“The common Sensitive-plant, Mimosa pudica, is the most common in Brazil, where it is a native, and in the hot houses of English gardens....

It appears from the works of Theophrastus, that the Sensitive-plant was not unknown to the ancients: he speaks of it as growing about Memphis in Egypt; and Pliny also speaks of it as a plant named from contracting its leaves at the approach of the hand. The interesting phenomena connected with its irritability, have been alike the subject of curiosity and scientific investigation.”

Mimosa pudica by Green Mimosa pudica by Green

Thomas Green

The Universal Herbal  (1818)

Thomas Green
The Universal Herbal

(1818)

“Naturalists, says Dr. Darwin, have not explained the immediate cause of the collapsing of the Sensitive Plant; the leaves meet and close in the night, during the sleep of the plant, which, in Sweden, according to Linnæus, is from six in the evening to three in the morning, during the months of June and July; or when exposed to much cold in the same manner as when they are affected by external violence; folding their upper surfaces together, and inpart over each other like scales or tiles, so as to expose as little of the upper surface as may be to the air; but do not indeed collapse quite so far, for when touched in the night during their sleep, they fall still further.”

Mimosa pudica by Sydenham Mimosa pudica by Sydenham

Sydenham Edwards

The Botanical Register  (1825)

Sydenham Edwards
The Botanical Register

(1825)

“The singular and well-known property which the leaves of this and some other plants possess of retiring from the touch, and of exhibiting a kind of sensibility which is more the attribute of animal than of vegetable organization, has lately been the subject of a curious memoir from the able pen of Dr. Dutrochet, a distinguished French Physiologist.... Now, as the chemical properties and the external appearance of the particles scattered among the cellular tissue of plants, and constituting the nervous system of animals are the same, the author is induced to infer that the spherical particles of plants are in fact the scattered elements of their nervous system.”

Mimosa pudica herbarium specimen Mimosa pudica herbarium specimen

G. P. Goll with O. F. Cook and G. N. Collins

NYBG Steere Herbarium Specimen (1899)

G. P. Goll with O. F. Cook and G. N. Collins
NYBG Steere Herbarium

(1899)

Herbarium Specimen

Location Puerto Rico. San Juan. In parapets of San Cristobal Fortress, San Juan.

Collector: G. P. Goll with O. F. Cook and G. N. Collins, 05 Nov 1899.

Description: Phenology of specimen: Flower.

Canna indica herbarium specimen Canna indica herbarium specimen

N. L. Britton

NYBG Steere Herbarium Specimen (1922)

N. L. Britton
NYBG Steere Herbarium

(1922)

Herbarium Specimen

Habitat: Gravelly river-bed.

Location: Puerto Rico. Vicinity of Coamo Springs.

Collectors: N. L. Britton with E. G. Britton, Margaret S. Brown, 08 Feb 1922.

Description: Stamens pink, fading white. Phenology of specimen: Fruit, Flower.

Canna indica flower photograph Canna indica flower photograph

C. Gracie

NYBG Steere Herbarium Photograph (2006)

C. Gracie
NYBG Steere Herbarium

(2006)

Leaves of Mimosa pudica

Location: Netherlands Antilles. Saba. Maskehorne Hill Trail. Alt. 412 m. (1352 ft.).

Collectors: S. A. Mori with C. A. Gracie, W. R. Buck, M. L. Smith, P. C. Hoetjes, J. F. Johnson, R. J. Thompson & S. A. Chipka, 14 Aug 2006.

Description: Suffrutescent. Sterile.

Habitat: Disturbed rain forest with andesitic outcrops.

Note: Opened leaves of Mimosa pudica.

Canna indica flower photograph Canna indica flower photograph

C. Gracie

NYBG Steere Herbarium Photograph (2006)

C. Gracie
NYBG Steere Herbarium

(2006)

Leaves of Mimosa pudica

Location: Netherlands Antilles. Saba. Maskehorne Hill Trail. Alt. 412 m. (1352 ft.)

Collectors: S. A. Mori with C. A. Gracie, W. R. Buck, M. L. Smith, P. C. Hoetjes, J. F. Johnson, R. J. Thompson & S. A. Chipka, 14 Aug 2006.

Description: Suffrutescent. Sterile.

Habitat: Disturbed rain forest with andesitic outcrops.

Note: Leaves contract after being touched, thus called “sensitive plant.”

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Erasmus Darwin’s The Botanic Garden  (1791)

Weak with nice sense, this chaste Mimosa stands
From each rude touch withdraws her timid hands;
Oft as light clouds o’er-pass the Summer-glade,
And feels, alive through all her tender form, 305
The whisper’d murmurs of the gathering storm;
Shuts her sweet eye-lids to approaching night,
And hails with freshen’d charms the rising light.
Veil’d, with gay decency and modest pride,
Slow to the mosque she moves, an eastern bride; 310
There her soft vows unceasing love record,
Queen of the bright seraglio of her Lord.—
So sinks or rises with the changeful hour
The liquid silver in its glassy tower.
So turns the needle to the pole it loves, 315
With fine libations quivering, as it moves.

Mimosa. l. 321. The sensitive plant. Of the class Polygamy, one house. Naturalists have not explained the immediate cause of the collapsing of the sensitive plant; the leaves meet and close in the night during the sleep of the plant, or when exposed to much cold in the day-time, in the same manner as when they are affected by external violence, folding their upper surfaces together, and in part over each other like scales or tiles; so as to expose as little of the upper surface as may be to the air; but do not indeed collapse quite so far, since I have found, when touched in the night during their sleep, they fall still further; especially when touched on the foot-stalks between the stems and the leaflets, which seems to be their most sensitive or irritable part.

(II.1:32—3)

Taxonomy

Linnæan Classification

Class: XIII. Polyandria (Many Males)
Order: I. Monogynia (One Female)
Genus: Mimosa
Species: Mimosa pudica

Modern Classification

Class: Equisetopsida C. Agardh
Sub-
class:
Magnoliidae Novák ex Takht.
Super-
order:
Rosanae Takht.
Order: Fabales Bromhead
Family: Fabaceae Lindl.
Genus: Mimosa L.
Species: Mimosa pudica L.
Mover and Shaker of the Vegetable World

The eighteenth century knew Mimosa pudica by a variety of names that are no less familiar to us now: it is the “sensitive,” “shy,” “bashful,” and “humble” plant. It is the “touch-me-not,” “shameweed,” “morivivi (dies then lives),” and more. These names are related to one another in that they all refer to the plant’s remarkable ability to contract its leaves in response to being touched, an ability that is also reflected in the Latin species epithet assigned to the plant by Linnæus: pudica means “bashful” or “shrinking.”

Although the sensitive plant’s contraction of its leaves had been known at least since the ancient Greeks, this curious being ignited a particularly intense flame of fascination in the late 1700s. The double sense of “sensitivity,” as social (especially sexual) propriety and physical responsiveness, aided in this wide appeal. Poets and authors were attracted to this plant because it was a fitting metaphor for the age’s ideals of modesty and chastity, while naturalists sought to explain how it moved. Such explanations, though, remained wanting until the nineteenth century; and even then, the mechanisms of this plant’s contractions were not thoroughly understood. Presently, scientists still cannot fully explain its reactions to touch, that is, its seismonastic movements. In fact, current research on this plant only seems to compound its remarkable qualities, so much so that in the last decade writers and scientists have made an addition to the already long list of names: M. pudica is also the “intelligent” plant!

Recent research shows that the M. pudica learns and remembers. The collapse of its leaves prompted by a physical disturbance is thought to be a defensive mechanism that protects the plant against predation. Folding its leaves, however, does not come without a cost. It is estimated that the M. pudica’s photosynthetic rate drops by up to 40% when its leaves are closed, which means that every time it collapses its leaves, it sacrifices opportunities to forage light for energy. In short, if the plant continually collapsed its leaves, then it would end up harming and exhausting itself. But what if it were possible for the M. pudica to protect itself discriminately, that is, to fold its leaves only in reaction to actual threats? Monica Gagliano and her colleagues set out to answer this very question, publishing the results of their research in 2014. They conducted a series of experiments designed to test whether the plant can learn that a threat is innocuous by dropping it 60 times in seven consecutive sessions over the course of one day. They found that within the first session, after just the first four to six drops, the M. pudica already began to reopen its leaves; significantly, by the end of the training, its leaves not only reopened completely but also stopped closing at all. Lest one think that the plant was merely suffering from exhaustion, physically unable to respond, the researchers introduced a novel stimulus—a shake—which induced the plant to fold its leaves with the same vigor as in the beginning of its training. What is perhaps most remarkable is that when researchers returned to these plants 28 days later without having administered any forced stimulus in the interim, they found that the plants had remembered their previous training and did not react to being dropped. They had remembered that this threat was innocuous. Collapsing their leaves just wasn’t worth the effort.

By learning and remembering, M. pudica challenges foregoing conceptions about who or what is capable of such activities. Gagliano et al. underscore this point in the final line of their paper: “The process of remembering may not require the conventional neural networks and pathways of animals; brains and neurons are just one possible, undeniably sophisticated, solution, but they may not be a necessary requirement for learning” (p. 70). This plant was also a challenge to thought in the eighteenth century.

No single work better captures the response to this challenge than Thomas Percival’s short essay from 1785, “Speculations on the Perceptive Power of Vegetables,” in which he “attempts to show ... that plants, like animals, are endued with the powers, both of perception and enjoyment” (p. 4). The sensitive plant figures prominently in the work, in addition to being the topic of a supplement appended to its end. Not all naturalists, however, were ready to ascribe perceptivity or any additional capacities to plants, insisting that the collapse of the leaves could be explained just as one might explain the functions of a machine, that is, through the mechanisms of changes in pressure, the interaction of parts, magnetic force, and so on. Darwin refers to these explanations in his verse. Yet, they were ultimately unsatisfying, leading naturalists to drag nearly every theory then in vogue into the fold. Emerging theories of electricity, oxygen, irritability, and galvanism (animal electricity) were all called upon to explain the seemingly inscrutable sensitive plant.

Naturalists in this period made an interesting connection between the collapse of the leaves in response to touch (that is, the seismonastic movements of the plant) and the drooping of the leaves at night (called the sleep of plants in the eighteenth century and nyctinastic movements now). Though the infamous botanist John Hill is reluctant to use the word “sleep,” thinking it wholly improper, he uses it anyway, since his tract on the phenomenon is written as an open letter to Linnæus who first coined the term. Hill reports a series of experiments that he conducted in order to ascertain the cause of plant sleep. He considers those agents that come into contact with the plant: heat, light, moisture, and air. By process of elimination, he deduces that light must be the cause. In short, he thought that light vibrated corpuscles within the plant, which kept its fibers taut. Once that light was extinguished, so were the vibrations that were keeping the fibers taut, which led to the drooping of the leaves. The sensitive plant, he thought, worked in the same way, except that instead of an absence of light, a violent shock or touch was now the culprit in disrupting the taut fibers of the plant. Hill intended his explanation to be wholly mechanical, one that only relied on the physical properties of plants and nothing more.

Darwin had as much fascination with the sleep of plants as Hill, as evident in the M. pudica footnote, but he took a much different approach. For Darwin, the sleep of plants was important because it functioned as the premise for a much larger claim about the vegetable world. He writes, “The sleep of animals consists in a suspension of voluntary motion, and as vegetables are likewise subject to sleep, there is reason to conclude, that the various actions of opening and closing their petals and foliage may be justly ascribed to a voluntary power: for without the faculty of volition, sleep would not have been necessary to them” (p. 117n). Unlike Hill, for Darwin, plants really sleep. Moreover, since sleep is the temporary abolition of voluntary power, plants must then have voluntary power as well, since sleeping would be entirely superfluous to a being without volition. What does a faculty of volition look like in plants? For Darwin, it is the fact that they close their petals or leaves during inclement weather, in the absence of light, “or from mechanic violence” (p. 124).

As incredulous as Darwin’s claim surely appears, that a plant has volition it relinquishes in sleep, does it not seem just as strange to say that a plant remembers and learns? We, no doubt, are still learning as well, for the M. pudica lives as vividly in the imagination today as it did in the eighteenth century.

The Click-Me-Not (Click Me!)
Mimosa animation
Frances Arabella Rowden’s
A Poetical Introduction to the Study of Botany  (1801)

CLASS XXIII.

MIMOSA

Sensitive Plant.y

POLYGAMIA, MONOECIA

As some young maid, to modest feeling true,
Shrinks from the world, and veils her charms from view,
At each slight touch her timid form receives,
The fair Mimosa folds her silken leaves;
And feel th’ alternate change of night and day;
For when her mantle dusky Ev’ning throws,
She droops her head, and sinks to soft repose;
Nor till the morn dispels the shades of night,
Rears her meek brow, and wakes to life and light.

y Mimosa.—Various situations, stamens only, pistils only, or both stamens and pistils. Linnæus reckons there are near ninety species of this curious genus, all of them natives of warm climates. They are named Mimosa, which signifies mimic, from the singular sensibility of the leaves of some of the species, which, by their motion, mimic or imitate as it were the motion of animals. For by the slightest touch the leaves contract and close themselves; and during wind and rain, at night, and when expose to much cold in the day, the leaves meet and close in the same manner as when touched.

pp. 153—6

John Hill’s The Sleep of Plants,
and Cause of Motion in the Sensitive Plant, Explain’d
 (1757)

The vibration of the parts is that which keeps the leaves of the sensitive plant in their expanded and elevated state: This is owing to a delicate motion continued through [e]very fiber of them. When we touch the leaf, we give it another motion more violent than the first: this overcomes the first: the vibration is stopped by the rude shock: and the leaves close, and their footstalks fall, because that vibrating motion is destroyed, which kept them elevated and expanded.

(Addressed as an open letter to Linnæus, p. 38)

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Percy Bysshe Shelley’s “The Sensitive Plant“  (1820)

For the Sensitive Plant has no bright flower;
Radiance and odor are not its dower;
It loves, even like Love, its deep heart is full,
It desires what is has not, the beautiful!...

When winter had gone and spring come back,
The Sensitive Plant was a leafless wreck;
But the mandrakes, and toadstools, and docks, and darnels,
Rose like the dead from their ruined charnels....

That garden sweet, that lady fair,
And all sweet shapes and odors there,
In truth have never pass’d away:
’Tis we, ’tis ours, are changed; not they.

For love, and beauty, and delight,
There is no death nor change: their might
Exceeds our organs, which endure
No light, being themselves obscure.

—selections from Prometheus Unbound: A Lyrical Drama in Four Acts with Other Poems

Mover and Shaker of the Vegetable World

The eighteenth century knew Mimosa pudica by a variety of names that are no less familiar to us now: it is the “sensitive,” “shy,” “bashful,” and “humble” plant. It is the “touch-me-not,” “shameweed,” “morivivi (dies then lives),” and more. These names are related to one another in that they all refer to the plant’s remarkable ability to contract its leaves in response to being touched, an ability that is also reflected in the Latin species epithet assigned to the plant by Linnæus: pudica means “bashful” or “shrinking.”

Although the sensitive plant’s contraction of its leaves had been known at least since the ancient Greeks, this curious being ignited a particularly intense flame of fascination in the late 1700s. The double sense of “sensitivity,” as social (especially sexual) propriety and physical responsiveness, aided in this wide appeal. Poets and authors were attracted to this plant because it was a fitting metaphor for the age’s ideals of modesty and chastity, while naturalists sought to explain how it moved. Such explanations, though, remained wanting until the nineteenth century; and even then, the mechanisms of this plant’s contractions were not thoroughly understood. Presently, scientists still cannot fully explain its reactions to touch, that is, its seismonastic movements. In fact, current research on this plant only seems to compound its remarkable qualities, so much so that in the last decade writers and scientists have made an addition to the already long list of names: M. pudica is also the “intelligent” plant!

Recent research shows that the M. pudica learns and remembers. The collapse of its leaves prompted by a physical disturbance is thought to be a defensive mechanism that protects the plant against predation. Folding its leaves, however, does not come without a cost. It is estimated that the M. pudica’s photosynthetic rate drops by up to 40% when its leaves are closed, which means that every time it collapses its leaves, it sacrifices opportunities to forage light for energy. In short, if the plant continually collapsed its leaves, then it would end up harming and exhausting itself. But what if it were possible for the M. pudica to protect itself discriminately, that is, to fold its leaves only in reaction to actual threats? Monica Gagliano and her colleagues set out to answer this very question, publishing the results of their research in 2014. They conducted a series of experiments designed to test whether the plant can learn that a threat is innocuous by dropping it 60 times in seven consecutive sessions over the course of one day. They found that within the first session, after just the first four to six drops, the M. pudica already began to reopen its leaves; significantly, by the end of the training, its leaves not only reopened completely but also stopped closing at all. Lest one think that the plant was merely suffering from exhaustion, physically unable to respond, the researchers introduced a novel stimulus—a shake—which induced the plant to fold its leaves with the same vigor as in the beginning of its training. What is perhaps most remarkable is that when researchers returned to these plants 28 days later without having administered any forced stimulus in the interim, they found that the plants had remembered their previous training and did not react to being dropped. They had remembered that this threat was innocuous. Collapsing their leaves just wasn’t worth the effort.

By learning and remembering, M. pudica challenges foregoing conceptions about who or what is capable of such activities. Gagliano et al. underscore this point in the final line of their paper: “The process of remembering may not require the conventional neural networks and pathways of animals; brains and neurons are just one possible, undeniably sophisticated, solution, but they may not be a necessary requirement for learning” (p. 70). This plant was also a challenge to thought in the eighteenth century.

No single work better captures the response to this challenge than Thomas Percival’s short essay from 1785, “Speculations on the Perceptive Power of Vegetables,” in which he “attempts to show ... that plants, like animals, are endued with the powers, both of perception and enjoyment” (p. 4). The sensitive plant figures prominently in the work, in addition to being the topic of a supplement appended to its end. Not all naturalists, however, were ready to ascribe perceptivity or any additional capacities to plants, insisting that the collapse of the leaves could be explained just as one might explain the functions of a machine, that is, through the mechanisms of changes in pressure, the interaction of parts, magnetic force, and so on. Darwin refers to these explanations in his verse. Yet, they were ultimately unsatisfying, leading naturalists to drag nearly every theory then in vogue into the fold. Emerging theories of electricity, oxygen, irritability, and galvanism (animal electricity) were all called upon to explain the seemingly inscrutable sensitive plant.

Naturalists in this period made an interesting connection between the collapse of the leaves in response to touch (that is, the seismonastic movements of the plant) and the drooping of the leaves at night (called the sleep of plants in the eighteenth century and nyctinastic movements now). Though the infamous botanist John Hill is reluctant to use the word “sleep,” thinking it wholly improper, he uses it anyway, since his tract on the phenomenon is written as an open letter to Linnæus who first coined the term. Hill reports a series of experiments that he conducted in order to ascertain the cause of plant sleep. He considers those agents that come into contact with the plant: heat, light, moisture, and air. By process of elimination, he deduces that light must be the cause. In short, he thought that light vibrated corpuscles within the plant, which kept its fibers taut. Once that light was extinguished, so were the vibrations that were keeping the fibers taut, which led to the drooping of the leaves. The sensitive plant, he thought, worked in the same way, except that instead of an absence of light, a violent shock or touch was now the culprit in disrupting the taut fibers of the plant. Hill intended his explanation to be wholly mechanical, one that only relied on the physical properties of plants and nothing more.

Darwin had as much fascination with the sleep of plants as Hill, as evident in the M. pudica footnote, but he took a much different approach. For Darwin, the sleep of plants was important because it functioned as the premise for a much larger claim about the vegetable world. He writes, “The sleep of animals consists in a suspension of voluntary motion, and as vegetables are likewise subject to sleep, there is reason to conclude, that the various actions of opening and closing their petals and foliage may be justly ascribed to a voluntary power: for without the faculty of volition, sleep would not have been necessary to them” (p. 117n). Unlike Hill, for Darwin, plants really sleep. Moreover, since sleep is the temporary abolition of voluntary power, plants must then have voluntary power as well, since sleeping would be entirely superfluous to a being without volition. What does a faculty of volition look like in plants? For Darwin, it is the fact that they close their petals or leaves during inclement weather, in the absence of light, “or from mechanic violence” (p. 124).

As incredulous as Darwin’s claim surely appears, that a plant has volition it relinquishes in sleep, does it not seem just as strange to say that a plant remembers and learns? We, no doubt, are still learning as well, for the M. pudica lives as vividly in the imagination today as it did in the eighteenth century.

Taxonomy

Linnæan Classification

Class: XIII. Polyandria (Many Males)
Order: I. Monogynia (One Female)
Genus: Mimosa
Species: Mimosa pudica

Modern Classification

Class: Equisetopsida C. Agardh
Sub-
class:
Magnoliidae Novák ex Takht.
Super-
order:
Rosanae Takht.
Order: Fabales Bromhead
Family: Fabaceae Lindl.
Genus: Mimosa L.
Species: Mimosa pudica L.
James Perry’s Mimosa: or, the Sensitive Plant  (1779)

O Thou! who hast, so often proved
The virtues of the plant,(a) beloved,—
     That from the touch recedes.—(b)
Assist, its magic to display;
For thou hast felt it every way,
     And know’st how it suc-ceeds.

(a) “A funnel-fashioned semi-quinquisid flower; its fruit is a long pod, containing a great many roundish seeds.” Owen.

(b) “The Sensitive Plant is so denominated from its remarkable property of receding from the touch, and giving signs as it were of animal life and sensation.” Owen.

pp. 1—2

Mimosa pudica in Action (2011)
Mimosa pudica gif Creative Commons Attribution


—by Hrushikesh

Thomas Percival’s
Speculations on the Perceptive Power of Vegetables  (1785)

IN the speculations, concerning the perceptive power of vegetables, which were read before this Society last spring, I observed, that the motions of the sensitive plant are not to be explained by the laws of electricity. For its leaves are alike affected by the contact of electric and nonelectric bodies; show the same sensibility whether the atmosphere be dry or moist; and instantly close when certain chemical stimuli, such as the vapor of vol. alkali, or the fumes of burning sulphur, are applied to them.

—from “Supplement to the foregoing Paper; containing further Observations on the Sensitive Plant” (pp. 16—7)

Percy Bysshe Shelley’s “The Sensitive Plant“  (1820)

For the Sensitive Plant has no bright flower;
Radiance and odor are not its dower;
It loves, even like Love, its deep heart is full,
It desires what is has not, the beautiful!...

When winter had gone and spring come back,
The Sensitive Plant was a leafless wreck;
But the mandrakes, and toadstools, and docks, and darnels,
Rose like the dead from their ruined charnels....

That garden sweet, that lady fair,
And all sweet shapes and odors there,
In truth have never pass’d away:
’Tis we, ’tis ours, are changed; not they.

For love, and beauty, and delight,
There is no death nor change: their might
Exceeds our organs, which endure
No light, being themselves obscure.

—selections from Prometheus Unbound: A Lyrical Drama in Four Acts with Other Poems

J. M. Sewall’s “Sensitive-Plant” (1801)

SWEET PLANT! with feelings exquisitively fine!
Emblem of female purity divine.
Nor boasts th’ enamel’d mead, or gay parterre,
So delicate a pattern for the fair.
In vain with trembling caution we approach,
The moest flow’r shrinks from the slightest touch.
In vain the hand that sunk, would raise again!
Virtue insulted spurns th’ offending swain,
Expiring like Lucretia with disdain

Pure, like this flow’r, and tremblingly alive,
Let each gay nymph instruction hence derive.
Avoid the open rake, th’ insidious foe,
Nor touch profane of impious hands allow,
To chastity devote, and pure as virgin-snow.

—from Miscellaneous Poems, p. 276

Continue the Exhibition

Next Species:

Peruvian Bark Tree (Cinchona officinalis)

See it in the LuEsther Mertz Library
  • C. Linnæus, Species plantarum (1753)
  • E. Darwin, The Botanic Garden (1791)
  • H. C. Andrews, The Botanist’s Repository (1797—1814)
  • R. Duppa, The Classes and Orders of the Linnæan System (1816)
  • F. A. Rowden, A Poetical Introduction to the Study of Botany (1818)
  • T. Green, The Universal Herbal (1820)
  • J. Sydenham, The Botanical Register (1828)