Jorge Sánchez, president and co-founder of the landscape architecture firm Sánchez & Maddux in Palm Beach, Florida, designed this year’s Orchid Show.
For Sánchez & Maddux to be awarded the opportunity to design The Orchid Show: Cuba in Flower was, indeed, a feather in our cap. The fact that the show is centered on Cuba made it very personal for me, for it is where I was born and grew up until the ripe old age of 11½.
I’ve often said we are all born with a talent. The key is realizing that talent. I don’t mean that one has to be the best in the world at whatever it may be, but that one has a gift for something. For me that gift is designing landscapes. I have enjoyed plants, history, and architecture as far back as I can remember, and my field of work encompasses all of these things. This has also given me a very good visual memory. And so here I take you back to my childhood and the influences of my native Cuba that have helped to shape elements of this year’s Orchid Show.
I must have been 10 years old when my two maternal uncles purchased a ranch in the province of Pinar del Rio, about 55 miles from Havana, where we lived. One day, while staying with one of my grandmothers (which my siblings and I did whenever my parents were away traveling) we went for a picnic at the ranch, Las Maravillas de Roja, rather a long name for a ranch.
Jessica Blohm is Interpretive Specialist for Public Education.
Cuba is home to more than 300 species of orchids, some native only to Cuba. In The Orchid Show: Cuba in Flower, one of the replicas on display is the Soroa Orchidarium, a botanical garden dedicated to education and the cultivation and conservation of the world’s orchids.
The groves of Cuban royal palms (Roystonea regia) on either side of the Orchidarium are meant to evoke the hills of Sierra del Rosario, a biosphere reserve of over 65,000 acres within which the Orchidarium is nestled. The Orchidarium features thousands of tropical plants and flowers from around the world, including 700 species of orchids from Asia, South America, and other tropical regions, many no longer found in the wild.
Sonia Uyterhoeven is Gardener for Public Education.
We are celebrating Cuba this year in The Orchid Show. While Cuba lays claims to great national parks such as La Güira National Park and Sierra del Rosario Biosphere Reserve, which houses the exquisite Jardín Botánico Orquideario Soroa (Soroa Orchid Botanical Garden), historically, the island wasn’t immune to the ravages of colonization and industrialization.
When Christopher Columbus sailed into Cuba in 1492, he encountered a tropical paradise covered with old-growth forests full of Caribbean mahogany, walnut, ebony, cedar, pine, and oak. This vast arboreal expanse was a paradise for Cuba’s native fauna and flora, including orchids. But the ideal wasn’t to last, giving way to deforestation and sugar cultivation.
At one time, according to https://www.thetoolboss.com, the felling of trees was regulated by the Royal Forest Reserve, which prohibited the indiscriminate felling of trees so that specimens could reach a certain height to supply shipbuilders with timber for masts, keels, and hulls for the Royal Navy.
But a greater threat to the environment and its ecological communities existed: a wholesale deforestation of the island by the sugarcane industry.
Beautiful Blooms, Old Havana, Cuban Countryside Featured
Laura Collier is Marketing Associate at The New York Botanical Garden.
Garden staff have been working in overdrive for weeks, filling the Enid A. Haupt Conservatory with thousands of brilliant orchids and tropical plants in preparation for the 8th annual Orchid Show.
I’ve been craning my neck during every visit to the Conservatory to get a glimpse of the show being set up. Fortunately, Rustin Dwyer, our expert staff videographer, has been behind the scenes catching all the action. He’s been working with Karen Daubmann, Director of Exhibitions, to document the details that go into the making of The Orchid Show: Cuba in Flower.
Check out the most up-to-date installment as well as all the videos building up to the opening in the box below. The show starts tomorrow, Saturday, February 27. I’ll be stopping in to see all the beautiful blooms, which are displayed this year in vignettes from Old Havana and the Cuban countryside.
Designer Visits from Florida to View Progress of Installation Jorge Sánchez (right), designer of The Orchid Show: Cuba in Flower, and John C. Lubischer (left), Senior Associate of the Palm Beach-based landscape architectural firm Sánchez & Maddux, visited the Botanical Garden last week to view the progress of the installation, which includes an allée of palm trees, a sugar mill ruin, and other iconic vignettes of Old Havana and the Cuban countryside—amid fabulous orchids. “All the pieces are fitting into place flawlessly—with grace and good humor,” Jorge said. “What a pleasure to be working with such a well-organized group.” Here he talks with Garden staff Francisca Coelho, Senior Curator and Associate Vice President for Glasshouses and Exhibitions (back to camera), and Karen Daubmann, Director of Exhibitions and Seasonal Displays, in the Enid A. Haupt Conservatory, where the exhibition will run from February 27 through April 11.
Living Orchid Chandeliers and Wall Dazzle Visitors
Karl Lauby is Vice President for Communications.
Francisca Coelho has outdone herself this time.
The Senior Curator and Associate Vice President for Glasshouses and Exhibitions is principally responsible for the creation, implementation, and management of the exhibitions that have solidified The New York Botanical Garden’s reputation as an international leader in horticultural display.
But she’s taken her work to new heights with the sensationally popular Orchid Show: Brazilian Modern, which takes its final bow this weekend.
While the whole show is her handiwork, in particular she has created a set of four massive hanging baskets of tropical aroids and descending orchids that alone are worth the trip to The Orchid Show. The baskets or chandeliers—each containing a huge philodendron, six smaller philodendrons, six grape ivies, and 120 orchids overflowing and pouring down from high overhead—embody living art with hidden engineering, creative design, and clever construction.
Fran took designer Raymond Jungles’ illustration and executed it brilliantly, using pipes, cables, and four-foot metal baskets that, once arranged with flowers, became six-foot-wide creations. In rummaging through her storeroom, Fran saw just the right-sized tree baskets—baskets usually used for moving big trees in the nursery trade—and traced the manufacturer to McKenzie Nursery Supply in Perry, Ohio. She asked the company to make eight baskets to her design and placed one basket within another and tied them together to make four strong baskets that would hold the weight of the hanging plants. A smaller, 30-inch-wide basket holding the large philodendron was then placed within the large basket on a wire frame placed six inches above the basket bottom. Each large philodendron is flanked by six more philodendrons and six grape ivy vines.
To suspend the whole apparatus, Fran rigged up crossed galvanized pipes in a square formation from which the baskets are suspended. Then the whole planter was lifted—using two lifts, one for the basket and one for the person hanging the basket—and hung from the conservatory ceiling. It took four staff members working in unison to accomplish this.
The outside of the entire large basket was then wrapped in black chicken wire. The basket-within-a-basket design left enough room for Fran’s able gardening colleagues to create the chandelier effect by edging the baskets with two types of orchids, Phalaenopsis and Dendrobium, in the pink-lavender color range and hung upside down, defying gravity, 120 orchids to each basket.
But the chandeliers are only part of the fun.
Fran also built the Orchid Wall. While it looks spontaneous, whimsical, and picturesque, in fact, the wall is meticulously designed and executed with artifice, contrivance, and calculation. The wall, 8 feet tall by 25 feet wide, is covered with 800 orchids, all Phalaenopsis, each hand-tied one by one to create a wall of flowers that mesmerizes visitors. In the center of the wall is a giant staghorn fern, surrounded by the five varieties of Phalaenopsis. Fran herself tied each of the 800 orchids onto the wall and has great stories about how she arrived at that number, tied each one, and managed to keep the entire wall seemingly in subtle motion from top to bottom as well as appearing fresh for the six-week run of the show.
Come see for yourself these magnificent, unique orchid creations in this, the final weekend of The Orchid Show: Brazilian Modern. Meanwhile, take one last chance to vote for your favorite type of orchid in our poll at right. So far, Vandas are in the lead by a large margin.
As we say goodbye to the orchids, we say hello to the Auricula Theater, a display in the Herb Garden of two types of alpine primroses in a presentation based on a centuries-old tradition.
And, of course, it’s spring all over the Garden. Walk around and see what’s in bloom, look for seasonal birds that are arriving and the recently born baby owls, participate in waking up the Family Garden, and more. Click on the daily highlights below.
Jessica Blohm is Interpretive Specialist for Public Education.
The Orchid Show: Brazilian Modern in the Enid A. Haupt Conservatory features a plethora of interesting interpretive signs that offer a chance to learn about a range of topics concerning orchids: their diversity (the most diverse species of flower on Earth), their preservation, and the ongoing research and conservation efforts by Botanical Garden scientists in Brazil, the theme of this year’s show.
But the savvy visitor knows that the Conservatory is just one place at the Garden that visitors can brush up on their orchid knowledge. This year, the Orchid Rotunda display on the second floor of the Library building features not only beautiful orchids from the Oncidium group, but also highlights botanical researchers at The New York Botanical Garden such as Douglas Daly, Ph.D., Scott Mori, Ph.D., and Wayt Thomas, Ph.D., who have embarked on programs to preserve Brazil’s unique habitats and rich plant life.
In the Rotunda you can also find out about the diversity of orchids throughout the world and how in 1990 The New York Botanical Garden was designated a Plant Rescue Center by the U.S. Department of the Interior.
No Orchid Show visit is complete without a visit to see the beautiful orchids behind glass in the Orchid Rotunda.
Gregory Long is President and CEO of The New York Botanical Garden.
You owe it to yourself to join the plant, nature, and orchid enthusiasts arriving in record numbers to see the Garden’s absolutely world-class Orchid Show: Brazilian Modern.
The combination of creative talents Raymond Jungles, the designer, and Fran Coelho, who creates all of our Conservatory exhibitions, is mind boggling. This is something you could see nowhere else in the world—the design and execution are tropical horticulture at its most perfect. Notice in the photograph the huge hanging basket of tropical aroids and descending orchids—there is a matched set of four of these huge hanging baskets created by Fran Coelho. These baskets alone are worth the trip to the Garden, and they are only part of the fun.
Everyone who knows and loves plants must come to see this marvelous masterpiece. The exhibition runs through April 12, and come soon, because I suspect if you see it once, you will want to see it again.
I am usually measured in my praise for NYBG exhibitions, but this orchid show is spectacular—a gift to New York. Come enjoy an exhilarating experience.
For Sánchez & Maddux to be awarded the opportunity to design The Orchid Show: Cuba in Flower was, indeed, a feather in our cap. The fact that the show is centered on Cuba made it very personal for me, for it is where I was born and grew up until the ripe old age of 11½.
