As I huffed and puffed my way up that steep path from the road to Thuya Garden high on the hillside near Northeast Harbor on Mount Desert Island, Maine, I thought that this time curiosity about the books in the Rare Book Room of the LuEsther T. Mertz Library had taken me too far. That day in July 2016 was blisteringly hot and I was sweaty and thirsty. But there it was at last, a rustic board-and-batten house with a porch, appearing out of the forest of evergreen trees and shrubs at the end of the stone path. It looked just like the drawing on the bookplates I’d found in two books in the Mertz Library.
Joseph Henry Curtis (1846-1928) began to summer at Northeast Harbor on Mount Desert Island on the Maine coast in the 1870’s and later he bought a property on the slope of a mountain near Northeast Harbor, becoming one of the first summer residents of a growing summer colony of wealthy families. Curtis spent the rest of his life turning his property into a mountainside park, building a trail with granite stairways and scenic lookouts ascending the steep slope to a board-and-batten cottage that he named Thuya Lodge after the local white cedar tree, Thuja occidentalis. In 1905 Curtis created a trust to maintain his estate as a public trust for the local community; when he died his friend Charles Savage became director of the trust.
Karen Daubmann is NYBG’s AVP for Exhibitions. She has researched, planned, and installed over 50 exhibitions in her seven years at the Garden.
The moon gate in the Abby Aldrich Rockefeller Garden
The Free Dictionary defines “evocation” as the creation anew through the power of the memory or imagination. In the exhibitions department at The New York Botanical Garden we craft exhibitions years in advance with the intent of bringing to life distant lands, famous people, interesting plants, rarely seen gardens, and fantastical landscapes. Creating evocations is our job, and one that we take great pride in doing.
Not only do we bring the visual (garden composition) to the visitor, we also bring content to enrich their experience—including catalogs, signage, audio tours, plant tours, iPhone apps, related poetry tours, and programming. Our goals are to transport you, to immerse you, to educate you, and maybe, just for a moment, to help you forget about your life outside the Garden gates. Using our upcoming exhibition as an example, Groundbreakers: Great American Gardens and The Women Who Designed Them, I’d like to show you some of the behind the scenes of how we put together the exhibitions.
Starting with an exhibition idea, we begin to plot the idea on our calendar and determine which exhibitions will come before and after it. Initial themes are developed and concepts for the designs are discussed. Early in the process, a scouting mission is planned, so that any physical locations relating to the topic can be photographed and documented. Later, visits to libraries and archives are planned so that assets for the galleries and related collateral can be gathered.
![Thuya-Lodge-bookplate-by-Jane-Lloyd-December-2016[1]](https://www.nybg.org/blogs/plant-talk/wp-content/uploads/2017/03/Thuya-Lodge-bookplate-by-Jane-Lloyd-December-20161.jpg)
As I huffed and puffed my way up that steep path from the road to Thuya Garden high on the hillside near Northeast Harbor on Mount Desert Island, Maine, I thought that this time curiosity about the books in the Rare Book Room of the LuEsther T. Mertz Library had taken me too far. That day in July 2016 was blisteringly hot and I was sweaty and thirsty. But there it was at last, a rustic board-and-batten house with a porch, appearing out of the forest of evergreen trees and shrubs at the end of the stone path. It looked just like the drawing on the bookplates I’d found in two books in the Mertz Library.
