Inside The New York Botanical Garden

Stephen Sinon

LuEsther T. Mertz Library Collection: Bassett Maguire Archive

Posted in Garden News on May 28 2019, by Stephen Sinon

By Susan Fraser, Thomas J. Hubbard Vice President and Director, and Stephen Sinon, William B. O’Connor Curator of Special Collections, Research and Archives, LuEsther T. Mertz Library

Neblina expedition, 1953–54.
Photo: Kathleen D. Phelps

The Institutional Archives of The New York Botanical Garden preserves and documents the activities of the Garden as an important international cultural and research organization dedicated to the research, education and display of plants. From its inception in 1891 to the present day, the records of the organization have been gathered and organized and are often consulted for historical and scholarly research. These records are related to the general administration and activity of the Garden, its Directors and Presidents, Board of Trustees, Collections, Buildings, and Gardens. These materials document not only the scientific legacies of the Garden and its staff, but also the social interactions and professional achievements of NYBG researchers. The records of Bassett Maguire (1904–91) is one such collection of note.

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Celebrating National Poetry Month with Erasmus Darwin’s ‘The Botanic Garden’

Posted in From the Library on April 24 2019, by Stephen Sinon

Stephen Sinon is the William B. O’Connor Curator of Special Collections, Research & Archives, of the LuEsther T. Mertz Library at NYBG.

Painting of Erasmus Darwin
Erasmus Darwin as portrayed by Joseph Wright of Derby, 1792

The Botanic Garden, published in 1792, is a set of two poems, “The Economy of Vegetation” and “The Loves of the Plants,” both written by Erasmus Darwin (1731–1802); grandfather of the more famous Charles Darwin (1809–1882). The first celebrates technological innovation, scientific discovery and theory. The second and more popular poem promotes and explains the Linnean system of plant classification.

One of the first popular science books, the intent of The Botanic Garden was to pique popular interest in science. By embracing Linnaeus’s sexualized language, Darwin intended to make botany interesting and relevant to the readers of his time. While many Englishmen of the time were scandalized by the sexual nature of Linneaus’ taxonomic system, Darwin openly embraced it, using suggestive images in his floral descriptions, writing of blushing virgins, handsome swains, and deceitful paramours.

He emphasized the connections between humans and plants, arguing that they are all part of the same natural world and that sexual reproduction is central to evolution. His attempt to convey the wonders of scientific discovery and technology through poetry helped create a tradition of popular science writing which continues today.

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Preserving the Legacy of Lord & Burnham

Posted in History on August 25 2015, by Stephen Sinon

Stephen Sinon is Head of Information Services and Archives in the New York Botanical Garden’s LuEsther T. Mertz Library.

Sample of plans from the Lord & Burnham Co. collection
Sample of plans from the Lord & Burnham Co. collection

The Lord and Burnham Co. was the premier builder of glasshouses in 19th- and 20th-century America. The firm was a natural choice for the founders of The New York Botanical Garden to turn to as they commissioned the design and construction of the largest and finest conservatory in America, the Enid A. Haupt Conservatory, which remains the centerpiece of the Garden today. Lord and Burnham constructed glasshouses for many well-known private clients, schools, parks, and botanical gardens across the country, but they never built anything larger than the Haupt Conservatory, which features a 90-foot central dome and one acre under glass.

The original plans and drawings for the Haupt Conservatory can be found in the Garden Archives along with architectural plans for 140,000 other clients which form part of the surviving business records of the Lord and Burnham Co.

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The Lorillard Jar

Posted in History on August 19 2015, by Stephen Sinon

Stephen Sinon is Head of Information Services and Archives in the New York Botanical Garden’s LuEsther T. Mertz Library.

Old Stone Mill Lorillard Snuff Mill
The Stone Mill

It’s not every day that someone walks into your life to present you with a piece of history from your past, but that is exactly what happened here recently at The LuEsther T. Mertz Library. We had a visitor who rode the Garden tram and heard mention of the Lorillard family on the tram’s narrated tour. She recalled owning a jar with the name “Lorillard” written on it and wondered if there was any connection.

As it turned out, the jar in question happened to be filled with tobacco snuff which was milled at the Garden’s historic Stone Mill and apparently never opened. The gift of this jar was accompanied by several commemorative catalogs from the Lorillard Tobacco Company and a newspaper article dated December 31, 1893, discussing the award winners at the World’s Fair held in Chicago that year. Known as the World’s Columbian Exposition, the fair was held to celebrate the 400th anniversary of the arrival of Christopher Columbus on the shores of the Americas.

The numerous Neoclassical stucco facades found at the fair, the first to feature electrical illumination, earned it the name “The White City” and had a profound influence on the urban beautification movement in America. The Mertz Library Building and The New York Botanical Garden itself grew out of this movement.

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Library Debuts Circulating Children’s Section

Posted in From the Library on April 23 2012, by Stephen Sinon

The LuEsther T. Mertz Library is revered as a center for research in the fields of botany, horticulture, and landscape. However, it is also home to many interesting special collections which are less well-known, such as its 1,600 volume children’s collection. This collection contains books which were written for children and young adults, and its content ranges in date from the 1880s to the present. Some of these publications are great rarities, while others are illustrated by famous artists, or explain scientific, natural, or ecological principles; some pieces of the collection are story books, others are picture books, but each is made to be read and admired by children of any age.

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