Gingerbread Adventures in the Everett Children’s Adventure Garden includes a display of detailed and fragrant gingerbread creations by renowned pastry chefs in and around New York. Here Leslie Randazzo, co-owner with her husband, Mark Randazzo, of Mark Joseph Cakes, describes how they conceptualized and executed their design.
Although Mark and I had never worked with gingerbread before, we were so enthusiastic about making our gingerbread debut in The New York Botanical Garden’s annual holiday exhibit. Yes, Mark is a pastry chef, but he specializes in custom cakes, so this was quite different.
This year’s theme, “Gingerbread People at Work and at Play,” left us wondering “What do gingerbread people do?” I called my nephew, Harry, whose immediate response was, “the same things we do.” Aha! Brilliant! With our target audience being kids, we thought about careers revered by children. It was my sister who suggested firemen. Then we were on a roll. Mark and I share a love for New York City’s pre-war architecture, so there was no question that we’d model our main structure after an old FDNY house. Through research, Mark found one in Manhattan on Lafayette Street that is stunning.
Our next order of business was a crash course in gingerbread structures, namely, keeping them up. For this, Mark made an icing that was similar in consistency to cement. We cut the gingerbread dough into the dimensions that were already carefully calculated. These large pieces make up the main structure. Then we cut gingerbread dough into equally sized rectangles. These were used as a second layer, to achieve the stones the building is made of. Laying the “stones” was extremely time consuming, because the firehouse had so many dimensions and different shapes to work around and each “stone” had to be trimmed to fit precisely in the appropriate space. The windows were made using a sculptor’s molding material that we melted and poured into the gingerbread’s square openings. As it dried, it solidified beautifully. To light the inside, we used LED Christmas lights that we clipped short. For the roof, we thought the perfect candy would be bite-sized black licorice that we would line up to look like shingles. Unfortunately, after placing on more than half of the licorice we discovered that the oily coating used to keep the pieces from sticking together in the package were also keeping them from sticking to the icing. The solution was Nilla® wafers. We were concerned that they wouldn’t cut easily with a knife, but they worked quite well.
Once the main structure was completed, we began adding the details. Red Twizzlers® were used for each window frame, and icing was piped on to create the appearance of snow. The fire truck was decorated using a sugar dough called “gum paste.” Then we designed the wintry fun that one notices when examining the display closely such as the snowball fight and the boy making a snow angel as the firemen look on.
This entire experience was so rewarding; it felt like a tremendous accomplishment after a total of 70 hours of labor. It was great fun and well worth the effort.
Karen Daubmann is Director of Exhibitions and Seasonal Displays.
Planning for the holiday celebrations at the Garden starts long in advance. At this time last year the holiday display in the Reflecting Pool in the Leon Levy Visitor Center was evaluated and decisions were made concerning additions, deletions, and upgrades for this year’s display.
In August, our Director of Arboretum, Grounds, and Gardens, Kurt Morrell, traveled to the mountains of North Carolina to select the trees that would be used. Since big trees are hard to come by, the location of the farm must be kept a secret. We use a 28-foot tree in the center, surrounded by eight smaller trees. Always working well in advance of each project, Kurt has earmarked several trees that are being groomed for the years to come. Fraser fir, Abies fraseri, is his tree of choice. It lasts well from mid-November through mid-January, has nice structure and color, and the branches are stiff enough to support the weight of the large ornaments and the huge pine cones, which are from Pinus lambertiana, sugar pine, native to California.
To reduce energy use, we decided to change over to LED lights this year; the orders had to be placed earlier than usual, beginning in early summer. The lights arrived by early autumn and awaited installation—more than 19,000 bulbs just for the Reflecting Pool trees. Vendors were selected for the lighting and the decorating, and all waited for the November 10 arrival of the trees, ready to put the plan in motion.
The trees left North Carolina early Saturday morning, November 8, on a special, extra-long trailer. They arrived at the Garden two mornings later and were met by a crew from the outdoor gardens staff and a large crane. After the trees were placed in special steel tree stands, the crew from Frost Lighting leaped into action. It took three days to add the LED light strings to the trees. Meanwhile, the crew from Bowman Dahl Floral and Event Design arrived to clean and prep the ornaments, both those that were recycled from past shows and those that would be new additions.
Just five days after delivery, the vignette of trees was ready for its unveiling.
The NY Times, TV, and Even the New York Lottery Charmed
Nick Leshi is Associate Director of Public Relations and Electronic Media.
The Holiday Train Show at The New York Botanical Garden has been a magical must-see for more than 1 million visitors over the past 17 years. Edward Rothstein of The New York Times called it “exhilarating,” marveling at “the wonders of this annual show” that presents “New York through a looking glass.”
David Hartman, popular television personality, produced and narrated a charming documentary about the Holiday Train Show, revealing how the structures are made from natural materials and displayed to the delight of visitors of all ages. The documentary aired last year 528 times across the country on 285 PBS stations.
In case you missed it, below is a clip of the show. You can catch the entire program tonight, December 11, at 10:30 p.m. on Channel Thirteen/WNET-TV. It will air again several times during December on PBS, including on WLIW-TV; check the online schedule. If you’re looking for a stocking stuffer or holiday gift for a loved one (or for yourself), the documentary is available on DVD at Shop in the Garden
After viewing the clip, you’ll see why the Holiday Train Show has been a sought-after location for singular New York events. That tradition again rang true last week when the New York Lottery awarded more than $17 million to two winners before replicas of the Empire State Building, Rockefeller Center, Radio City Music Hall, and others and to the delight of a festive crowd of visitors young and old that erupted into spontaneous congratulatory applause.
There have been other occasions over the years when Holiday Train Show visitors received an additional unexpected treat, including a marriage proposal between New York City police officers that was nationally broadcast on the Today show and a mayoral press conference that touted the wonders of the holiday season in New York. Amid the glow of twinkling lights in the Botanical Garden’s Enid A. Haupt Conservatory, the Holiday Train Show proved the perfect magical setting for these memorable events.
Make your own memories by coming to see the Holiday Train Show in person, through January 11, 2009. Tickets are available for purchase on the Garden’s Web site. See for yourselves what Mr. Rothstein in his review described as “this phantasmagorical landscape, which at twilight comes alive with illumination.”
Visitors to the annual holiday puppet theater production of The Little Engine That Could™, which opens this weekend in the Arthur and Janet Ross Lecture Hall, will enter through the Ross Gallery, where they will be welcomed by The Heirloom Tomato, an exhibition of bold, bright photographic still lifes. Here, Victor Schrager, the award-winning artist behind the images, talks about how he made these magnificent portraits of historic tomato varieties from the gardens of Amy Goldman. The two have collaborated on several books, including the most recent The Heirloom Tomato: From Garden to Table as well as The Compleat Squash: A Passionate Grower’s Guide to Pumpkins, Squashes, and Gourds (2004) and Melons for the Passionate Grower (2002), all available at Shop in the Garden.
Victor Schrager is the photographer featured in the exhibition The Heirloom Tomato.
The shooting to produce Melons for the Passionate Grower took one year. The Compleat Squash was done over two years. The Heirloom Tomato was planned to be much more extensive than either of those: The photographs would have to be done when the fruit were ready, so the photographs were made at all times of day in all kinds of weather. The project eventually lasted five seasons.
It was important to give the work its own unified sense of time and place—a quality I find in the best botanical illustrations and photographs, in vivid distinction to garden catalogs. To achieve this, I used a single artificial light in a studio I made in a barn near Amy Goldman’s garden. So the photographs took place in their own time.
During the first three seasons, I used an 8×10 wooden Deardorff view camera (the kind where you put a dark cloth over the back of the camera to see better to compose); the last two seasons I used a Sinar 4×5 digital view camera—the closest digital approximation to the qualities of the large-format transparencies I had made during the first three seasons and the most similar in use to my film camera. I would like to think you cannot tell which are which.
Various objects—teacups, marble blocks, colanders, spice cans, etc.—were used to put the tomatoes on a pedestal, giving each picture a unique architecture derived from the tomato’s place in domestic life in the kitchen and garden over its long history.
Carol Capobianco is Editorial Content Manager at The New York Botanical Garden.
As a kid growing up, just a few blocks from here, the only time I got to see model trains in action was occasionally during the holidays when the boy in the apartment across the hall would invite my three sisters and me to see—briefly and no touching allowed—his miniature landscape all set up with little people and trees and trains that could be glimpsed as they made their way around make-believe villages. I was younger and shorter and had to stand on tiptoe to try to get the full effect of this tabletop other world. Regardless, I always got a sense of something fun and magical happening.
My husband confirmed this. One of three boys and with a slew of neighborhood buddies, he talks of spending hours during the holidays watching and playing with model trains, moving around at will the tiny figures and buildings and ice rinks and track segments within the diminutive fake-snow-covered scenery.
Not until I was an adult did I have the chance to be immersed in the enchanting atmosphere that is so reminiscent of this childhood memory, thanks to the Botanical Garden’s Holiday Train Show. I’ve come back to see the show several times over the years and with family members both young and old.
There is something indescribable, something that makes your heart jump a beat, when you enter the Holiday Train Show and are immediately surrounded by twinkling lights, soft whistles, and tracks that wind around waterfalls and across overhead bridges and past magnificent replicas of New York landmarks. On closer inspection, you see that each of these 140 or so buildings is made from parts of plants! And as you bend down to investigate further, all of a sudden you glimpse a train approaching and stand back to watch the scene in awe. You look around and are beckoned by other vignettes; it keeps going. You are transported.
The Holiday Train Showhas gained wild popularity in its 17 years. Now that I work at the Garden, I have the benefit of seeing the show even during lunch breaks. My favorite time of day, though, is at dusk, when the show is especially charming and festive. This year the Garden will be open an extra hour on select days so you can enjoy the show well into the evening.
There is plenty to do, too, if you’d like to spend an entire day at the Garden: Gingerbread Adventures in the Everett Children’s Adventure Garden; The Little Engine That Could™ puppet theater performance and a visit by Thomas the Tank Engine™ both later in the run; lunch and snacks at our two cafes, and holiday gift-getting at Shop in the Garden.
Tens of thousands of visitors have discovered the same, awed by the exquisite beauty of these meticulously cultivated chrysanthemums in a traditional Japanese art form never seen before on this scale outside Japan. “If the stock market has you blue, go to the exhibition and drink in the uplifting display,” wrote Bill Cunningham in The New York Times.
But hurry. The spectacular flower show and cultural exhibition comes to a close Sunday. For an extra special experience, you may want to come this evening from 6–8 p.m. for Kiku and Cocktails, when you can view the exhibition under lights and with the authentic ambiance of live Japanese musical performances.
Nick Leshi is Associate Director of Public Relations and Electronic Media.
According to Technorati, the leading blog search engine, millions of entries are posted every day in the interconnected, online world of Web logs known as the blogosphere. As the world of journalism continues to evolve from the dominance of traditional print and broadcast media to the growing user-generated content of the Internet, The New York Botanical Garden has earned the attention of the growing new medium.
Many mainstream print publications are making the leap into the new digital frontier. One of the more popular blogs is City Room at The New York Times Web site, where Tina Kelley wrote about Kiku in a blog entry called “Shaping the Chrysanthemums, a Rare Art,” sparking some fun comments from the public. National Geographic’s News Watch blog posted a review by David Braun of Liverworts of New England: A Guide for the Amateur Naturalist, published by The New York Botanical Garden Press. (Order at 718.817.8721 or online.)
Journalists such as Bill Cary of The Journal News, garden writer Irene Virag, and many others have their own blogs. Even some of the Garden’s own staff have ventured into the blogosphere. Check out the personal journal of Chuck Peters, one of our top scientists, for some thought-provoking ruminations. Bookmark them all!
Looking for more? Check out OffManhattan.com, which describes itself as “a travel guide for native New Yorkers and tourists alike, in an effort to promote a ‘greener’ lifestyle,” or the popular BoogieDowner, a great portal for all wonderful things the Bronx has to offer.
There are blogs about art, like Studio-Online, which wrote about Kiku and Moore in America on October 27, and blogs about crafts, like Quaint Handmade, which also spotlighted the Garden in a glowing review about Kiku. Pick a topic and there’s bound to be someone out there blogging about it.
If you have a favorite blog or if you come across one that mentions The New York Botanical Garden, let us know about it. You can e-mail me or just post a comment below. The key to the explosive growth of the blogosphere, I believe, is the line of communication between fellow bloggers and the people reading them. So let us know what you think.
The polls have closed and the final results are in. Voters have made their choice. Time to announce the results of…our Kiku Poll!
Two weeks ago, we asked visitors to select their favorite kiku style and the race was tight. It seems all four display styles have their fans. In an extremely close survey, the dramatic single-stemmed ogiku pulled an upset, coming from behind for the win, earning 30 percent of the votes. In a very close second place was the dome-shaped ozukuri, with 28 percent. The new style, shino tsukuri, and the cascading kengai were tied for third, both with a respectable 21 percent.
Thanks to everyone who took the time to vote in our fun little election. Be sure to see the displays in real life by visiting Kiku: The Art of the Japanese Chrysanthemum, which runs through November 16. This video gives you a preview of what you’ll enjoy.
Last Sunday’s Halloween Hoorah at the Garden was a hit, as shown in these photos taken by Gayle Schmidt, Coordinator of Public Education. As children entered the Everett Children’s Adventure Garden, they turned a cotton ball and tissue into a ghost to hang in the Ghoulish Garden. And, of course, no Halloween celebration would be complete without a fancy jack-o-lantern, carved on the spot in the Benenson Ornamental Conifers.
Nick Leshi is Associate Director of Public Relations and Electronic Media.
Art fans, rejoice! Moore in America: Monumental Sculpture at The New York Botanical Garden , the largest outdoor exhibition of Henry Moore’s artwork ever presented in a single venue in the United States, is being extended through January 11, 2009.
The show, a collection of 20 major pieces, opened at the Botanical Garden on May 24, during the height of the spring flowering season. It garnered critical acclaim from the media and the public alike during the summer months. Now nearly all of these magnificent works by one of modern art’s greatest icons can be seen during fall and early winter, providing audiences with the chance to experience the sculpture for the first time or return again to witness them in contrasting seasons. The monumental pieces are positioned throughout the Garden’s 250 acres and among its 50 gardens and plant collections, complementing the historic landscape during nature’s changing cycles.
The extension of Moore in America through the holiday season guarantees that visitors to The New York Botanical Garden will be able to enjoy the outdoor sculpture while simultaneously experiencing the Garden’s other major exhibitions—Kiku: The Art of the Japanese Chrysanthemum through November 16, the Library gallery art exhibition The Chrysanthemum in Japanese Art through January 11, and the Holiday Train Show from November 23 through January 11. The Henry Moore Foundation, which is dedicated to furthering the understanding, appreciation, and enjoyment of Moore’s work, is co-curating Moore in America with the Garden.
If you still haven’t had the chance to see Moore in America, now is the perfect time. And if you’ve seen it already, now you have even more time to see it again with friends and loved ones, discovering anew the combination of Henry Moore’s fine sculpture and the spectacular Garden settings in changing seasons.
Here’s a video in which Educator Anabel Holland tells us a little more about a few of the sculpture.
The polls have closed and the final results are in. Voters have made their choice. Time to announce the results of…our Kiku Poll!
