The exhibit showcases illustrations from a wide variety of botanical artists of the plants grown, sold, and introduced by John Bartram (1699–1777) and his son William (1739–1823), pioneers of American naturalism. Knowledgeable and worldly, John and William Bartram ran a thriving business in Philadelphia shipping seeds and plants across the Atlantic for the gardens of English aristocrats, where the nature of unspoiled North America was in fashion. William continued the family business and became the first American-born botanic and natural history artist, as well as a prolific travel writer in his own right. His 1791 nature book Travels was a foundational influence for great Romantic writers such as Wordsworth, Coleridge, and Emerson.
In the course of their career, the Bartrams introduced many previously unknown species, including Franklinia, a tree William named for his friend Benjamin Franklin. Alongside Bartram’s beautiful 1788 painting of the tree’s flower—illustrating all of its component parts—is Dick Rauh’s own watercolor of the same species. We loved this illustration so much, we even used it for the cover of our Fall/Winter catalog in 2011! Bartram’s Garden felt the same way, and awarded Rauh’s painting for “encapsulating the Bartram spirit of discovery and passion for nature.”
Scott A. Mori has been studying New World rain forests for nearly 40 years. He has witnessed an unrelenting reduction in the extent of the forests he studies and, as a result, has become concerned about their future.
From December of 1995 onward, the Institute of Systematic Botany at the NYBG has periodically worked with Michael Rothman to prepare paintings representing the research of our curators. Over the next year, the curators and the paintings that represent their work will be presented in a series of essays on Plant Talk. Today, I introduce the artist and discuss his painting of the understory of a lowland rain forest in French Guiana. I chose this painting to start with because it illustrates the rich biodiversity of lowland tropical rain forest, an area where I have studied plants for many years. If you wish to see rain forest or cloud forest throughout the year without traveling, you can enjoy tropical plants and get out of the cold at the same time by visiting the Garden’s Tropical Paradise exhibition in the Enid A. Haupt Conservatory.
“A Terrestrial View of a Rain Forest in Central French Guiana” by Michael Rothman.
Botanical art and the study of plants are inseparable. In the course of my career, I have relied on Bobbi Angell for the preparation of the line art accompanying my species descriptions of the Brazil nut family, as well as those depicted in the Guide to the Vascular Plants of Central French Guiana, and the Flowering Plants of the Neotropics. In all, Bobbi has prepared a total of 600 illustrations for me.
On any given day, our Twitter feed is a flood of information from fans, friends, fellow institutions and the daily happenings of New York City. But now and then we stumble over the kind of encouraging Garden adventure that pushes us to keep doing what we’re doing. That was the case last week, when Doing Art Together found its way into the stream.
Executive Director Heather-Marie Brooks Montilla and her colleagues are heroes of a sort. I don’t think they run into burning buildings all that often; neither are they with the Coast Guard. But they’re as committed to their cause as any fireman. And Doing Art Together (DAT), the group’s long-running educational program, is something of a rescue operation in its own right. Focused on under-resourced children and young adults aged four to 21, these teachers have spent decades working to keep the city’s kids on the right path, turning to art, day in and day out, to make a positive mark on impressionable minds.
People all over the country will soon be able to appreciate NYBG instructor Dick Rauh’s work alongside that of other accomplished botanical illustrators in the American Society of Botanical Artists’ current traveling exhibition, Following in the Bartrams’ Footsteps.
