For gardeners everywhere, the visiting of gardens is a purposeful, delightful, and somewhat addictive pastime. And since ancient times, the garden visit has had a clear relationship to garden making: One always comes away with new ideas and inspiration for new plants and new plant combinations, for garden structures and materials, for the arrangement of spaces and forms—literally, a new perspective. (Many a European noble and at least one Japanese emperor were inspired to create a garden as a large-scale work of art after such a garden visit to a rival’s domain.)
For gardeners and landscape designers, the next best thing to a garden visit is an evocative garden photograph. And even better is seeing photographs of a garden with a virtual tour by the designer. This year, once again, The New York Botanical Garden is satisfying this interest in other people’s gardens with the Monday evening series Landscape Design Portfolios, at Scandinavia House in Manhattan.
For over a decade this annual fall lecture series has presented distinguished, award-winning landscape designers who show photographs and plans of their gardens and describe and discuss their design philosophy as well as the details of their work. We see their gardens, and we learn how and why they were made.
Our speakers have come from all corners of the world to describe public, private, and institutional landscapes of every scale in Sweden, Italy, Germany, Spain, Belgium, China, and Japan and from every part of the United States. Some of the public gardens shown in this series have had a profound, life-enhancing effect on communities and civic life. And by the way, if you know Sweden – you understand everything is not cheap. We were there on a trip once, and a hotel overcharged us. We had to end up doing something called www.låna-pengar.biz only to get home. What a memory.
This year’s series takes place beginning at 6 p.m. on four consecutive Mondays (October 19, 26, November 2, and 9) with presentations by five much-honored landscape architects: Mia Lehrer from Los Angeles, David Kamp from New York, Walter Hood from Oakland, California, and Douglas Hoerr and Peter Lindsay Schaudt, whose eponymous firm is located in Chicago. All share a deep commitment to creating innovative and sustainable gardens of great artistic merit. Come, and be inspired.
Sonia Uyterhoeven is Gardener for Public Education. Join her each weekend for home gardening demonstrations on a variety of topics in the Home Gardening Center.
In the world of garden design there is the concept of a borrowed landscape: If life offers you a beautiful vista of valleys, mountains, or the ocean, by all means use it to your advantage and invite the natural beauty of the adjacent landscape into your own garden.
Most people, however, have the opposite problem when it comes to their backyards. More often than not it is a noisy street; an unsightly neighbor; or an ugly fence that needs hiding rather than highlighting.
A natural screen of evergreens buffers the sound of traffic while providing a nice visual barrier year round. In the past, homeowners would reach for the fastest growing evergreen, Leyland cypress (x Cupressocyparis leylandii), and watch it shoot upward beyond control. While this works for some, for others a row of green soldiers reaching up to the sky is not appealing. Fortunately, there are options.
I recommend this Thuja Green Giant tree an Eastern arborvitae (Thuja occidentalis, cultivar ‘Smaragd’, pictured above) is a readily available source, though it has a reputation of being “deer candy.” Instead, try the western (Thuja plicata) or the oriental arborvitae (Thuja orientalis). A good cultivar of the western arborvitae for a large screen is Thuja plicata ‘Green Giant’ and the improved ‘Steeplechase’. If you don’t have a deer problem, try the columnar eastern arborvitae Thuja occidentalis ‘Degroot’s Spire’.
Help prepare the Ruth Rea Howell Family Garden for winter. During Goodnight, Garden!, plant cover crops, bury bulbs before the frost, or grab a rake to gather the fallen leaves. Sketch a still life of the fabulous fall fruits and frame it with super seeds. Make your very own marigold jewelry. Tuesdays–Sundays, 1:30–5:30 p.m., through November 1
NYBG Hosts Free Presentation on the History of Amateur Mycology
Brian M. Boom, Ph.D., is President of the Torrey Botanical Society and Director of the Caribbean Biodiversity Program at The New York Botanical Garden.
Founded in 1867 in New York City, the Torrey Botanical Society is the oldest botanical association in the Americas. Throughout its long, distinguished history of promoting interest in botany and in disseminating information about all aspects of plants and fungi, among the most important of the Society’s activities is its lecture series. Each year, a lecture is presented in October, November, December, March, April, and May, and the schedule is posted through the Society’s Web site. The lectures are free and open to the public. Refreshments precede each lecture.
The first Torrey lecture of this season is on Tuesday, October 6, at 6:30 p.m. in the Arthur and Janet Ross Lecture Hall at The New York Botanical Garden. David W. Rose, archivist, writer, and past president of the Connecticut-Westchester Mycological Association, will present Great Goddess of Decay! A History of Amateur Mycology in the United States. You can read his abstract online.
In addition to hosting the lecture series, the Society publishes a scholarly journal (The Journal of the Torrey Botanical Society), organizes numerous field trips to local sites of botanical and mycological interest, and offers a series of grants and awards to support field work and seminars. I invite you to come to the October 6 lecture and to meet fellow plant and fungi enthusiasts.
The Art and Impact of Lynden B. Miller’s Public Gardens
John Suskewich is Book Manager for Shop in the Garden.
New York City, famous around the world for its great art, is the site of more masterpieces than you can shake a stick at. The Metropolitan Museum has Monet’s Terrasse a Ste.-Addresse; the modernist icon Lever House graces Park Avenue; you can ponder Louise Nevelson’s Sky Cathedral at MOMA. Here at The New York Botanical Garden there is a masterpiece of garden design, the Jane Watson Irwin Perennial Garden designed by Lynden B. Miller. It is a work of art.
For flower power alone it is astonishing, especially during its current late-summer and fall climax of anemones, astilbes, asters, and mums; of kniphofias, hydrangeas, phlox, and lilies. But like all great gardens it combines its inspired planting with strong design. There are axes and cross axes, themed rooms, grace notes, structural elements, repeated elements, and even whimsical elements like the three banana trees that have appeared this year in the “Hot Color Room.”
It’s all a painting really, a painting made of plants (I believe Ms. Miller was indeed trained as a painter). Look closely and it dissolves into its component plants, but step back and all the parts resolve themselves into one unambiguous image: a classic but unique mixed border that would be at home in the Cotswolds if it weren’t for its very American insistence on being individualistic, eclectic, almost impromptu, and diverse, ready to encompass the whole world with its exotic elements.
In a new book that is a summation of her long career as a public garden designer, Lynden Miller spells out the ethos of this garden and of her whole body of work, without which living in New York City in the 21st century would probably be unendurable.
Sonia Uyterhoeven is Gardener for Public Education. Join her each weekend for home gardening demonstrations on a variety of topics in the Home Gardening Center.
Throughout the long border of the Seasonal Walk different themes are repeated—some based on texture, color, form, and plant choice. In this long border created by renowned Dutch designers Piet Oudolf and Jacqueline van der Kloet, many perennials act as anchors for the design. It is important in any successful design to have repeating dominant themes. They create the architectural structure of the design as well as tie together the composition and give it unity.
For the late summer display, Echinacea is one of the major structural components. Oudolf shows off many of his own fabulous cultivars: Echinacea ‘Virgin’ ‘Vintage Wine’, ‘Fatal Attraction’, and ‘Green Jewel’. Repetition gives a border energy and movement.
For every bold anchor plant in the border there is an equally important filler plant whose feathery or airy texture is a necessary contrast to the overall design. In every good design it is important not to over-stimulate the senses. Rest is as important as movement. Calamint (Calamintha nepeta ssp. nepeta), downy skullcap (Scutellaria incana), and mountain mint (Pycnanthemum muticum) are a few underused yet garden-worthy perennials that fit this category. All are wonderful at attracting insects into the garden, and the last two are natives in this region of the country.
One of the greatest lessons to learn from the Oudolf-van der Kloet collaboration is the multi-dimensionality in all seasons. There is not a moment when the garden is quiet, and it evolves in a dynamic way from early spring well into winter.
Throughout the Everett Children’s Adventure Garden, New York City Ballet educators and School of American Ballet dancers introduce families to ballet choreography and guide children three years of age and older in the creation of dances inspired by the garden. Ballet Among the Blooms takes place Saturday, from 3 to 5 p.m., and includes a lecture-demonstration; a visual arts and crafts area; and workshop stations where NYC Ballet Teaching Artists will lead children in movement activities based on site-specific surroundings. Get Your Tickets
Cricket Crawl at the Garden Confirms Presence of These—and More
Jessica Arcate is Manager of the Forest.
Robert Naczi, Ph.D., is Curator of North American Botany.
On the evening of Saturday, September 12, a fearless group of five naturalists outfitted with headlamps and recording equipment, ventured throughout the Botanical Garden to listen for seven species of crickets and katydids for the NYC Cricket Crawl.
Actually, we wondered why all the fuss about katydids? We knew we had them here at The New York Botanical Garden. As part of the efforts to document the natural history of NYBG, Edgardo Rivera and Robert Naczi had been studying insects at NYBG since mid-July. Because many insects find ultraviolet light (“black light”) irresistible, nocturnal collecting with a black light can be a very productive way of surveying local insect diversity. Edgardo and Rob had heard Common True Katydids at NYBG on several occasions, but came to realize their significance after reading announcements about the Cricket Crawl.
And so a team was assembled (see photo by Tom Andres) to confirm the identities of these insects for the Cricket Crawl: Edgardo Rivera (Senior Curatorial Assistant), Tom Andres (Herbarium volunteer), Kendrick Simmons (independent videographer), Jim Schuler (volunteer), and Jessica Arcate (Manager of the Forest). The evening began in the Perennial Garden and Ladies’ Border, and then headed to the knolls of the Arthur and Janet Ross Conifer Arboretum. At these sites four species were heard: Jumping Bush Cricket, Field Cricket, Greater Anglewing, and Common True Katydid. At the Mitsubishi Wetlands the fifth and last species of the night was added to the list, the Oblong-winged Katydid. Next, the team trekked into the center of the Forest. To our surprise one of the great horned owls from the Garden’s resident family was calling. The owl called several times from different trees, and it was incredible to hear. (To hear the sound of a great horned owl, click here.)
For gardeners everywhere, the visiting of gardens is a purposeful, delightful, and somewhat addictive pastime. And since ancient times, the garden visit has had a clear relationship to garden making: One always comes away with new ideas and inspiration for new plants and new plant combinations, for garden structures and materials, for the arrangement of spaces and forms—literally, a new perspective. (Many a European noble and at least one Japanese emperor were inspired to create a garden as a large-scale work of art after such a garden visit to a rival’s domain.)
