Cherry blossoms and Easter pastels make for a fair combination, don’t you think? The calendar’s once again rolled into a holiday weekend at The New York Botanical Garden, which just happens to fall in line with the start of spring break for the schoolyard set. That makes for a rare opportunity: a Monday opening! This weather is too marvelous for the kids to sit at home.
The Orchid Showis, of course, the belle of the ball right now, but our 250 acres are making a strong showing as new plants and trees burst into their spring finery with each passing day. Walk among the fields of daffodils and tulips, admire the hellebores, or peek in on the early azaleas–and don’t forget the brilliant cherry and plum blossoms brightening trees throughout the Garden.
Last week we discussed basic orchid care and explored how to assess your home as a suitable place for growing orchids. This week we will grab our wallets and talk about buying an orchid. You may have noticed that orchids are not cheap. Their price has dropped measurably over the past decade due to tissue culture and the ability to produce orchids on a mass scale. But even with all of these advances in propagation techniques, they still command a decent price.
If you are spending between $20 and $50 on an orchid, you will probably want it to last for some time in your home. Following a few simple guidelines will help you ensure that your orchid flourishes. I am frequently asked if it matters where you purchase your orchid since this often influences the price. High-end florists and nurseries will have a better selection with many exotic and unusual varieties. Big box stores will have a limited selection of the standard fare.
Every now and again an event comes along during an exhibition like the Orchid Show that eclipses the beauty of the flowers themselves. It’s a statement you might find a bit on the mushy side, but I think you’ll agree that it’s apt. Because when Qu and Wahnzen stepped into the Conservatory a few weeks ago, one of the pair knew very little of the fairytale moment unfolding.
Qu had spent months meticulously planning out his proposal, ever since he got word that his college sweetheart would be in New York for her birthday. “We met while studying at Oxford,” he says. One a philosophy major and the other a chemist in training, their divergent paths might well have left them strangers if not for a serendipitous thread of connection: “We were both members of the Varsity Ballroom Dance team.”
The Orchid Show means thousands upon thousands of orchids, curling and spiraling their way across nine separate vertical walls of exotic foliage. It’s a family reunion of sorts in the Conservatory.
Judging from our Morning Eye Candy posts, you might think the unconscionably talented Ivo Vermeulen is one of only a few people on NYBG grounds gallivanting about with a camera in tow. He’s certainly prolific enough. But if you follow us from day to day, you’ll come to notice that photography in general is a core interest here at the Garden. There are so many colors, shapes, and fantastical landscapes on these 250 acres to share with the rest of the world, and we’re encouraging anyone and everyone to jump in with their gear of choice–smartphone, fully-fitted Nikon, homemade pinhole or otherwise.
If the flowering magnolias and budding bottlebrushes around the Garden are any evidence, New York really has shifted gears to full-on spring pleasantry. You know it was satisfying to leave your coat on the hook before work all this week! And with the Orchid Show now settled into its groove and flourishing with its thousands of exotic flowers, this is the time to head up to the Bronx and see what everyone is swooning over. You finally get to start off without the screech of an alarm clock, ditch the briefcase, and leave your uncomfortable shoes near the front door for a couple of days–make the most of it!
Patrick Blanc‘s travels and expertise have taught him that no one plant can convey the true beauty of a vertical wall–the living art, as Francisca Coelho, our VP for Glasshouses and Exhibitions explains, can’t realize its full potential on the shoulders of an individual flower. That’s why this year’s Orchid Show is not only about spotlighting these captivating tropical blooms, but about complementing their place in one of our most complex and beautiful presentations of the last decade!
To the chagrin of my more tropically-inclined colleagues, I have been resisting the temptation to sing the praise of dendrobiums for years. “Give me an oncidium any day,” I used to exclaim. “They are easier to grow and I will not kill them!”
Initially, it was true… I had issues with dendrobiums. If the vegetative growth (foliage and pseudobulbs) in many orchids is fairly unattractive when they are out of bloom, the cane dendrobiums are positively ugly.
I do not like them in bloom; I do not like them out of bloom; I do not like them Sam-I-am with green eggs and ham! I was adamant. They looked like mutant orchids, outcasts in an otherwise pulchritudinous family–the Orchidaceae.
Have you been following Plant Talk this week? If you have, you’re already well aware that the skies are criss-crossed with soaring hawks, the daffodils are bobbing alongside the paths, and the NYBG‘s tenth annual Orchid Show is proving every bit the belle of the ball we knew it would be. With or without a few hems and haws from departing winter, a welcome spring is here more than two weeks early.
If you’re looking for escapism, the walkways of the Enid A. Haupt Conservatory are a sure bet, ringed as they are with thousands of orchids in nearly every color of the spectrum. Better yet, you can start the day with Debbie Becker’s Saturday Bird Walk, then jump into orchid workshops and lectures of all sorts, with terrarium building in Little Landscapes to occupy the kids; there’s something about holding a miniature world unto itself–all in the palm of your hand–that’s infinitely appealing.
In looking at the green walls that Patrick Blanc pulls from his imagination, you might regard each one as something similar to a painting. In a way, they are–they rely on careful color choices and shapes to create (in this case) an abstract flow. But depending on the artist you ask, the process of building a green wall can be far more organization-intensive.
Blanc’s Orchid Show creations–as with those he builds around the world–require planning. A lot of planning. Plants must be picked not only for their visual appeal but for the way they mesh with the rest of the leafy things on the wall. Sturdy, light-thirsty plants may need to sit higher up, while shade-loving species fit in lower on the totem pole to ensure each individual can thrive within the miniature ecosystem. There is nothing haphazard about the selections. And once Dr. Blanc has a solid idea of what he wants to fit into a given wall, he must then sketch out a blueprint using finely-delineated sections for each type of plant. This is how the swooping, soft-edged sections of color and texture come about.
Cherry blossoms and Easter pastels make for a fair combination, don’t you think? The calendar’s once again rolled into a holiday weekend at The New York Botanical Garden, which just happens to fall in line with the start of spring break for the schoolyard set. That makes for a rare opportunity: a Monday opening! This weather is too marvelous for the kids to sit at home.
