Inside The New York Botanical Garden
Posted in Photography on February 8 2014, by Matt Newman
The sculptures of Four Seasons still overshadow the courtyard near the Nymphaea pools for a few more months. Some are fully enveloped in their element right now.
“Winter” in the Conservatory Courtyard — Photo by Ivo M. Vermeulen
If you love taking photographs, don’t forget to enter our Tropical Paradise Photography Contest!
Posted in Adult Education on January 30 2014, by Lansing Moore
This month’s featured alumna is Nina Antze, who holds an NYBG Certificate in Botanical Art & Illustration. While she is currently teaching colored pencil in California, Nina was initially a quilt maker with a degree in Fine Art from San Francisco State University before coming to the NYBG’s Certificate Program. She now teaches botanical art students of her own, including those at the Botanical Illustration Certificate Program at Filoli Gardens outside of San Francisco. We asked her to guide us along the path that brought her to the NYBG and a new career.
What made you pursue a Botanical Art & Illustration Certificate with NYBG? Were you looking for a new career, or just a hobby?
NYBG introduced me to the world of Botanical Illustration. I started taking colored pencil classes when we moved from California to New York, and it was basically to meet people. My new friend Jane found NYBG instructor Carol Ann Morley’s Colored Pencil class; after that we took Laura Vogel’s drawing class and we really wanted to continue. I was not thinking of a new career, but I fell in love with drawing all over again and I loved having all the plants in the world for possible subjects.
Posted in Exhibitions on May 9 2013, by Matt Newman
If our current exhibition isn’t evidence enough, we’re a little sculpture crazy. From inspirational maquettes to full-sized foundry monoliths, exploring and expounding on the efforts of great artists are just two of the things we can’t help but indulge in. And now, with Wild Medicine: Healing Plants Around the World rounding the bend for its May 18 opening, I think the time is about right to introduce the work of our latest visiting sculptor: Philip Haas.
From the beginning of the style in 16th-century Italy to Haas’ modern-day interpretations, the edible motif of Four Seasons has certainly established its historic foundations. But in three dimensions, these 15-foot-tall statues break from the tradition of Giuseppe Arcimboldo‘s original paintings to provide an entirely novel experience.
Posted in Photography on March 24 2013, by Ann Rafalko
If you look close enough, the orchids in The Orchid Show begin to look like modern art.
Photo by Ivo M. Vermeulen
Posted in Exhibitions on September 13 2012, by Matt Newman
We’re suckers for a good surprise (as long as we’re the ones behind it). But it’s a spot more difficult to keep the main event under wraps when it comes to exhibitions this impressive. Manolo Valdés casts a formidable shadow, sparing nothing to create some of the most striking–and colossal–visuals for our upcoming Monumental Sculpture exhibit; for the uninitiated, that’s our next major show here at the NYBG. And this week we jumped headlong into preparation for the September 22 opening.
All told, we couldn’t exactly sneak these sculptures into the Garden. Some of them, such as the Alhambra piece, weigh in at 40,000 pounds with spans reaching nearly 50 lateral feet; they’re not what you’d call statuettes. Arranging these monoliths has proven a spectacle in itself, drawing streams of visitors and employees alike, all snapping away with their cameras as we uncrate and maneuver massive heads and latticework by truck-mounted cranes. It’s a careful and dramatic process that we were able to capture a bit of in the last couple of days.
Posted in People on September 5 2012, by Matt Newman
You’d have a hard time finding a lack of inspiration in Elena Rosenberg’s creations. You might see form and function wrapped up in a neat bow of elegance, but beyond it all, there’s that creative knack that makes her efforts with wearable fiber art so attractive. So when we talked to Elena via Twitter and found that she was creating a line of wearable art inspired by the botanical world, up to and including plants seen in The New York Botanical Garden, our interest was piqued.
That was back in early spring. Elena’s since completed her first series of designs based on botanical aesthetics, and was kind enough to talk with me about what it is that pushed her to take up this skill, as well as how the natural world found its way into her work. She even has a few pointers for hopeful creatives looking to pick up a craft for themselves, if not carry their own to the next level.
Because the blending of fashion and nature has become such a choice topic around Plant Talk, you’ll want to keep an eye out for future spotlights on local talent and styles. In the meantime, Elena gives us a glimpse into her modern take on classic techniques.
Posted in Programs and Events on July 25 2012, by Ann Rafalko
First thing’s first: We have released new tickets for the final two Monet Evenings! If you’d like to wander around the water lily pools and stroll down our recreation of Monet’s grand allée, cocktail in hand, while the sun sets behind the historic Enid A. Haupt Conservatory, then you need to snap up your tickets before they sell out again!
Next up, dinnertime in the Ruth Rea Howell Family Garden! As part of “Mario Batali’s Kitchen Gardens,” a robust and interactive space in the Family Garden filled with beds of vegetables and herbs used at Mario’s restaurant kitchens, Family Dinners with Mario Batali’s Chefs pairs the produce from these beds with chefs from Mario Batali’s restaurants. On Thursday, July 26 join Chef Frank Langello of Babbo Ristorante and Chef Cruz Goler of Lupa Osteria Romana for an unforgettable dinner. Want to know what’s on the menu? Annie Novak, Assistant Manager of the Family Garden shows you in the video below.
Posted in Around the Garden, Learning Experiences, People on July 19 2012, by Arlene Ellis
Arlene Ellis bridges the gaps between science, art, and fashion with her in-depth study of natural patterns, many of which she details on her website, Organic Lyricism. Here, she relates how her first trip to The New York Botanical Garden informed her latest clothing designs.
I had never heard of textile design while growing up, despite aspiring to become a designer or an artist. In fact, I only became familiar with the word “textile” last fall, a bit weird considering I began drawing patterns at age 15. This was the year that I discovered the phenomenon of fractals in nature.
Fractals are geometric shapes that can be divided into smaller parts, each resembling the overall shape of the whole, regardless of scale. After learning about these fascinating designs, I began noticing them everywhere–in trees, ferns, snowflakes, and in natural formations. This preoccupation eventually sparked my interest in the ultimate fractal-like structure: the brain. In college, however, I soon proved to be more interested in drawing these patterns than I was in studying my neuroscience textbooks.
My interests were leaning heavily in one direction, but despite my constant drawing of patterns, textile design was still a foreign concept to me. It wasn’t until I began taking courses at New York’s School of Visual Arts that this changed. I learned that textile design would help me to unite my love for biological patterns with my love for art. I grew to understand that textile design plays a pivotal role in our daily lives; these patterns adorn our clothes, our bedding, our carpets and furniture. And I realized that I could use these visuals to communicate the beauty of nature to people on an intimate level. After visiting The New York Botanical Garden for the first time in June, that’s just what I set out to do.
Posted in Around the Garden, Learning Experiences on July 18 2012, by Matt Newman
On any given day, our Twitter feed is a flood of information from fans, friends, fellow institutions and the daily happenings of New York City. But now and then we stumble over the kind of encouraging Garden adventure that pushes us to keep doing what we’re doing. That was the case last week, when Doing Art Together found its way into the stream.
Executive Director Heather-Marie Brooks Montilla and her colleagues are heroes of a sort. I don’t think they run into burning buildings all that often; neither are they with the Coast Guard. But they’re as committed to their cause as any fireman. And Doing Art Together (DAT), the group’s long-running educational program, is something of a rescue operation in its own right. Focused on under-resourced children and young adults aged four to 21, these teachers have spent decades working to keep the city’s kids on the right path, turning to art, day in and day out, to make a positive mark on impressionable minds.
Posted in Around the Garden, Photography on June 5 2012, by Ann Rafalko
Very special thanks to our ‘American Gothic‘ re-enactors, Elie Haber and Michelle Kehyaian.
Photo by Ivo M. Vermeulen.