Gathered in front of the Tulip Tree Allee shortly before the screening, Film Director Stephen Ives (center) is surrounded by (left to right) John Beardsley (Film Interviewee), Lynden Miller (Film Narrator), Film Producer Anne Cleves Symmes and Sir Peter Crane (Moderator).
Friday, March 15, 2019 marked the Sixth Annual Humanities Symposium. To celebrate the occasion, the Humanities Institute, together with NYBG’s Department of Adult Education, invited audiences to the screening of an important new documentary, Beatrix Farrands’s American Landscapes.
Opening the program was Carrie Rebora Barratt, Chief Executive Officer and William C. Steere Sr. President of NYBG, who enthusiastically welcomed the audience stating that the film screening could not have been timelier as March was Women’s History Month. She continued to say that celebrating Beatrix Farrand—the only female charter member of the American Society of Landscape Architects—was to acknowledge the vital role women have played and continue to play in American history and culture today.
As I huffed and puffed my way up that steep path from the road to Thuya Garden high on the hillside near Northeast Harbor on Mount Desert Island, Maine, I thought that this time curiosity about the books in the Rare Book Room of the LuEsther T. Mertz Library had taken me too far. That day in July 2016 was blisteringly hot and I was sweaty and thirsty. But there it was at last, a rustic board-and-batten house with a porch, appearing out of the forest of evergreen trees and shrubs at the end of the stone path. It looked just like the drawing on the bookplates I’d found in two books in the Mertz Library.
Joseph Henry Curtis (1846-1928) began to summer at Northeast Harbor on Mount Desert Island on the Maine coast in the 1870’s and later he bought a property on the slope of a mountain near Northeast Harbor, becoming one of the first summer residents of a growing summer colony of wealthy families. Curtis spent the rest of his life turning his property into a mountainside park, building a trail with granite stairways and scenic lookouts ascending the steep slope to a board-and-batten cottage that he named Thuya Lodge after the local white cedar tree, Thuja occidentalis. In 1905 Curtis created a trust to maintain his estate as a public trust for the local community; when he died his friend Charles Savage became director of the trust.
Beginning tomorrow, we throw open the gates to America’s grand estates in Groundbreakers: Great American Gardens and the Women Who Designed Them. This show examines early 20th-century America’s boom in garden culture, with groundbreaking women leading the charge in the fields of landscape architecture, design, and photography.
The centerpiece of this exciting exhibit—a must for aficionados of historic homes and gardens—is Mrs. Rockefeller’s Garden in the Enid A. Haupt Conservatory. This interpretation of the Abby Aldrich Rockefeller Garden in Maine evokes one of the most stunning properties designed by Beatrix Farrand, one of the Groundbreakers examined in the show. Farrand, along with Marian Coffin and Ellen Shipman, represents a pivotal moment in history, from the end of the Gilded Age to the height of the Jazz Age. Their lives, times, and careers will be the subject of exhibition components throughout the Garden grounds.
For a taste of what’s in store, check out Edward Rothstein’s latest write-up of our brand new summer exhibition in The New York Times. Read on for the full list of this weekend’s programs surrounding Groundbreakers, including all-new children’s activities and plenty of musical interludes!
Designer of NYBG’s Rose Garden a Real “Artist and Hero”
John Suskewich is Book Manager for Shop in the Garden.
In Beatrix Farrand: Private Gardens, Public Landscapes, Judith Tankard avoids the pitfall of turning a historical figure into a waxwork and brings to life this pioneering woman who was one of the first important American landscape gardeners. As someone who designed an important feature of The New York Botanical Garden, the magnificent Peggy Rockefeller Rose Garden, Beatrix Farrand (1872–1959) is of particular interest to us here.
Hers is a great “little Old New York” story. Farrand’s aunt was Edith Wharton, she herself was one of Mrs. Astor’s “Four Hundred,” and Henry James was often a household guest, so she could have coasted. Instead, to a great talent Farrand added diligent study and travel, hard work, a facility for networking, and—for that time and place—a kind of courage. The commissions she attracted after 1900 included some of the most notable country places of that era: Crosswicks in Pennsylvania; the Fahnestock estate in Lenox, Massachusetts; Bellefield, the Newbold family property in Hyde Park, New York; and a slew of blue-blooded landscapes on Long Island.
The author’s chapter on Farrand’s assignment at The New York Botanical Garden is especially noteworthy. This involved creating an elegant design for a public rose garden out of a tricky site while developing a collection of roses that would have aesthetic and educational merit. The ups ands downs and ups of this rose garden reflect in a way NYBG’s own story, and of the difficulties that make landscape gardening such a complicated art, as time takes its toll. But time also tells, and in a volume that contains pages of marvelous photography, this garden is beautifully pictured, here and now, in its current state of grandeur.
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