Joyce H. Newman holds a Certificate in Horticulture from The New York Botanical Garden and has been a Tour Guide for over seven years. She is a blogger for Garden Variety News and the former editor of Consumer Reports GreenerChoices.org.
Roy Diblik, designer and nurseryman
Roy Diblik’s new book, The Know Maintenance Perennial Garden, out this month from Timber Press ($24.95 paperback) and available in NYBG’s Shop in the Garden, is a veritable goldmine for gardeners dreaming of lush, low-maintenance planting designs. The book provides dozens of fresh, detailed plans and gorgeous color photographs of easy-care, yet highly artistic, gardens.
Diblik is a designer and nurseryman best known for supplying the extraordinary perennials—around 26,000 plants in all—for Dutch designer Piet Oudolf’s inspiring Lurie Garden at Millennium Park in downtown Chicago. Diblik actually grew many of the plants and helped with the layout and design. He has more than 35 years of experience as co-owner of Northwind Perennial Farm located in the rolling hills of southeastern Wisconsin.
The book contains 62 garden plans laid out in color-coded grids. Many of the plans express themes, Diblik notes, that are “loosely inspired by the colors, compositions, and emotions” of Impressionist paintings by Cezanne, Monet, and Van Gogh, among others. Some plans replicate Piet Oudolf’s pioneering use of grasses for The High Line in New York City, and others recreate the dynamic plantings at England’s Great Dixter garden in Sussex.
NYBG instructor Jan Johnsen designs gardens on three principles: simplicity, sanctuary, and delight.
These three ideas, she said, help us return to a kinship with the natural world, so we can quiet our thoughts and enjoy the present moment in our busy lives.
Johnsen, who has taught Landscape Design at NYBG off and on for almost 20 years, recently released a book, Heaven is a Garden: Designing Serene Outdoor Spaces for Inspiration and Reflection, in which she offers her unique perspective on designing with reflection in mind She hopes to use her book as a tool to open people’s eyes to a deeper understanding of power and place in nature and to appreciate all aspects of the world around us, even rocks, which she believes “have resonance.”
Seasonal Walk is an exuberant celebration of the seasons. Never the same two weeks in a row, this beautiful garden was designed by the famous landscape designers Piet Oudolf and Jacqueline van der Kloet. Bordering the Garden Cafe and the Enid A. Haupt Conservatory, Seasonal Walk in the early Summer is a dazzling display of sun-loving dahlias, garden phlox, and a range of lilies. At the eastern end of the walk an assortment of plants that thrive in the shade like ferns and astilbes can be found under a stand of trees. Keep your eyes open for the many different kinds of butterflies that flock to this colorful, beautiful garden.
Sonia Uyterhoeven is Gardener for Public Education.
Last week we looked at how Dan Pearson transformed landscapes through his naturalistic vision and his skill as a designer. Today I’ll detail some of his practices that you can use in your garden.
When Pearson was young he would observe plants in the wild, studying where they grew and the patterns and associations they formed with other plants. As a result, his planting style is never rigid, and plants form loose and successful partnerships with one another.
Gardens are rarely just a healthy conglomerate of plants. In a discussion of hardscapes during his lecture, Pearson said to think of gardens as needing “good bone structure.” The walls and other structures in the garden are meant to be recessive, fading into the background and offering support for the dynamic plant palette; they frame the space.
Sonia Uyterhoeven is Gardener for Public Education.
Just like Beethoven took ordinary musical notes and elevated them through simple and complex melodies into his immortal symphonies, the well-known British landscape designer Dan Pearson (right) has the ability to transform space into visual wonderlands.
Pearson was at the Garden last month for the first of three lectures in the series From the Ground Up: Gardens Re-Imagined. He presented Into the Wild, an exploration into his natural landscapes.
I was prepared for a talk on how a talented designer re-creates the artifact of nature on his project sites—not as nature would herself but as an artist reinterpreting and reconfiguring nature’s portrait. This point was certainly made and beautifully illustrated.
Don’t Forget Foliage as well as Flowers in Garden Design
Sonia Uyterhoeven is Gardener for Public Education.
In last week’s tip I reviewed the basics of good garden design to remember while facing the onslaught of catalogs that tempt us to do more in our gardens. So what are some of the hazards in designing your garden from the glossy images you find in your winter catalogs?
For one thing, sometimes the colors in the catalog can be misleading. Years ago I cut and pasted photos from a catalog to create a collage of perennials for a border based on a specific color scheme. It looked glorious on paper. When I arrived at the nursery, I realized that many of my combinations didn’t work, because I had based my design just on the flowers shown in the photos, without consideration of the foliage. My pairing of perennials changed drastically, and I was forced to rethink my plan in terms of the entire plant.
Catalogs often do a beautiful job of showing us photographs of the flowers, but they rarely give us adequate views of the foliage, which is just as important. A good design should still look good even when the flowers are gone. Break up color combinations with areas of neutral shades where your eye can rest. Focus not only on color but texture and form.
Keep These in Mind When Faced with the Season’s Onslaught of Catalogs
Sonia Uyterhoeven is Gardener for Public Education.
Now is the time of year that every good gardener gets inundated with new catalogs. For the plantaholic it’s a blessing and a curse. The feeling of a kid in a candy store is rekindled in even the most reticent gardener. The curse is that there is never enough time, space, or money to satiate our herbaceous or woody appetites.
However, the cold winter months are an ideal time to dream of redesigning your garden. I love spreading all of my catalogs on the living room floor and getting to work on lists or colorful collages of plants. To help navigate this challenging terrain, here are lessons learned and a few guidelines.
Sonia Uyterhoeven is Gardener for Public Education. Join her each weekend for home gardening demonstrations on a variety of topics in the Home Gardening Center.
Throughout the long border of the Seasonal Walk different themes are repeated—some based on texture, color, form, and plant choice. In this long border created by renowned Dutch designers Piet Oudolf and Jacqueline van der Kloet, many perennials act as anchors for the design. It is important in any successful design to have repeating dominant themes. They create the architectural structure of the design as well as tie together the composition and give it unity.
For the late summer display, Echinacea is one of the major structural components. Oudolf shows off many of his own fabulous cultivars: Echinacea ‘Virgin’ ‘Vintage Wine’, ‘Fatal Attraction’, and ‘Green Jewel’. Repetition gives a border energy and movement.
For every bold anchor plant in the border there is an equally important filler plant whose feathery or airy texture is a necessary contrast to the overall design. In every good design it is important not to over-stimulate the senses. Rest is as important as movement. Calamint (Calamintha nepeta ssp. nepeta), downy skullcap (Scutellaria incana), and mountain mint (Pycnanthemum muticum) are a few underused yet garden-worthy perennials that fit this category. All are wonderful at attracting insects into the garden, and the last two are natives in this region of the country.
One of the greatest lessons to learn from the Oudolf-van der Kloet collaboration is the multi-dimensionality in all seasons. There is not a moment when the garden is quiet, and it evolves in a dynamic way from early spring well into winter.
Sonia Uyterhoeven is Gardener for Public Education. Join her each weekend for home gardening demonstrations on a variety of topics in the Home Gardening Center.
Traditionally, Seasonal Walk at The New York Botanical Garden has been a display of annuals, which kicked off with a massive colorful showing of tulips in spring and reached a crescendo in the summer with an imaginative arrangement of summer tropicals. The season closed with an autumnal mix of mums (Chrysanthemum) and ornamental cabbages (Brassica spp.).
For this year’s Seasonal Walk, the renowned Dutch designers Piet Oudolf and Jacqueline van der Kloet were invited to create a display that drew upon their areas of expertise: perennials, ornamental grasses, and bulbs. The result has been a transformation of the annual border into a multi-seasonal herbaceous paradise. Following, we explore some of the lessons that a design project of this scope has to offer the home gardener.
One feature that is immediately recognizable in the border is the intermingling of permanent and ephemeral plant masses. Perennials are skillfully placed in drifts that flow through the border. They hold the space in the spring as they slowly emerge and fill out until they are cut back as late as possible at the end of the season. They form the structural component in the border.
Tucked in the perennial drifts are irregular shapes that have been left open for the more ephemeral displays—tulips in the spring and annuals and tender bulbs in the summer. While these areas have irregular shapes—they are referred to as batwings and peanuts based on their form— the same shapes are repeated throughout the border, giving a sense of continuity that is important in any good design.
Next year marks the 400th anniversary of Henry Hudson’s arrival in New York. The New York Botanical Garden will be part of the statewide celebration, bringing a touch of Holland to the Bronx with a Dutch bulb flower show in the Enid A. Haupt Conservatory in the spring and a four-season display, including bulbs, along Seasonal Walk. Here we take a look at the planning for Seasonal Walk, which today is celebrated with a ceremonial planting with the designers and HRH Princess Margriet of the Netherlands, among others.
Karen Daubmann is Director of Exhibitions and Seasonal Displays.
Our mission was clear but nevertheless daunting: Design a garden that will look luscious from April to November 2009 and one that has Dutch overtones to fit with the Henry Hudson quadricentennial festivities.
The planning team mulled these thoughts and came up with an ideal solution. And so, with support from the International Flower Bulb Center, the Botanical Garden commissioned world-renowned garden designer Piet Oudolf, a Netherlands native known for his “new wave planting” style, who has paired up with Jacqueline van der Kloet, also from the Netherlands, who is known for her finesse with flower bulb design.
The location for the planting is along Seasonal Walk, two garden beds—one measuring 184 feet by 10 feet and the other 86 feet by 6 feet—nestled between the Conservatory Lawn and the Home Gardening Center. Garden installation began earlier this month and has continued through today’s ceremonial planting.
Since receiving the designs in July our horticultural staff has been busily growing and ordering the mixture of plants for this border. A complex spreadsheet controlled the frenzied process and kept track of sources, sizes, quantities, and inventoried amounts. The planting is an intense mix of favorites and new cultivars, including grasses, perennials and bulbs. In fact, several of the plants are Piet’s own introductions such as Echinacea ‘Fatal Attraction’, Geum ‘Flames of Passion’, and Salvia ‘Evaline’. We have planted 3,389 perennials and 12,100 spring-flowering bulbs. Next spring, we will plant and force 14,500 summer-flowering bulbs, which will add color to the border through the heat of summer.
The project has been exciting to work on. Each plant has been carefully researched and sourced. We tried our hardest to refrain from using substitutes, but in some cases Piet had selected cultivars not yet readily available in the United States.
Since receiving the designs in July our horticultural staff has been busily growing and ordering the mixture of plants for this border. A complex spreadsheet controlled the frenzied process and kept track of sources, sizes, quantities, and inventoried amounts. The planting is an intense mix of favorites and new cultivars, including grasses, perennials and bulbs. In fact, several of the plants are Piet’s own introductions such as Echinacea ‘Fatal Attraction’, Geum ‘Flames of Passion’, and Salvia ‘Evaline’. We have planted 3,389 perennials and 12,100 spring-flowering bulbs. Next spring, we will plant and force 14,500 summer-flowering bulbs, which will add color to the border through the heat of summer.