Speakers and hosts: Susan Fraser (Director Mertz Library), Arlene Shaner, Lisa O’Sullivan, Lucy Barnhouse, Ina Vandebroek, Jodi Moise, and Vanessa Sellers (Coordinator, Humanities Institute)
The Humanities Institute’s Winter Colloquium, The Healing Properties of Plants: Art, Culture, Science, was held at the Mertz Library on Friday, February 20, 2015. The colloquium was organized in conjunction with the NYBG exhibit on the curative properties of exotic plants, Wild Medicine in the Tropics, at the Enid A. Haupt Conservatory.
There are other words that you can use to describe the piece of land between the street and the sidewalk—“tree park” or “meridian” are a couple of them—but of those synonyms, “hellstrip” is my favorite by far.
Thanks to Evelyn J. Hadden’s instructive book, Hellstrip Gardening, I can now use that term with aplomb. Where you or I might see a neglected, soil-filled curbside, Hadden sees colorful, even edible, planting opportunities. Her photo-rich book is organized into four parts, including inspirational curbside gardens around the country, the challenges of planting and maintaining these nontraditional spaces, suggestions for appropriate plants, and how to design and keep up with the needs of your new plot.
Hellstrip Gardening manages to combine the promises of community beautification and the psychological benefits of having nature close at hand with practical and clear-eyed advice. Hadden does not pretend that you will simply plant your hellstrip and it will be appreciated by all, remaining untouched by pedestrians, dogs, rodents, restrictive city or community laws, or road work. Instead, she outlines the realities of planting in semi-public or public spaces and how to approach this kind of gardening with reasonable expectations. Her refreshing and upbeat book is a good choice for anyone who is patient and looking for creative opportunities to establish beauty where others see blight.
Hellstrip Gardening: Create a Paradise Between the Sidewalk and the Curb by Evelyn J. Hadden, Portland, Or.: Timber Press, 2014
Ed. note: Getting a heads-up from the folks in the LuEsther T. Mertz library is always a treat, if only because we never know what kind of surprise they’re going to pass along. Often it’s an interesting bit of history in the form of an old landscaping book, or a quirky tome on classical botany. This time around, however, the history in question is far more visual. Library Director Susan Fraser was kind enough to explain the how and when of the colorful collection that recently fell into their laps.
The Mertz Library recently received a collection of research material from the estate of J. Louise Mastrantonio, who worked for the U.S. Forest Service in Oregon and California from 1961 through 1986. After retiring, she began researching the history of the American nursery industry and compiled a collection of artifacts from the late 19th and early 20th century. In time, she began writing a book about the nursery trade, though she died before completing it.
This collection came to the LuEsther T. Mertz Library as a bequest from Mastrantonio’s estate, and includes nursery and seed trade catalogs, seed packets, postcards, advertising art, and wooden seed display boxes (known as commission boxes). Among the literature included are books, agriculture newspapers, and photographs–including 10 stereoscope images.
Not many can recall the Liverpool Botanic Gardens. Though its glasshouse and extensive collection of orchids saw thousands of visitors pass through in the early decades of their existence, the middle years of the twentieth century were not kind. After over a century of high regard, the 1930s and ’40s brought the second World War, along with an errant German bomb that destroyed much of the botanic glasshouse and its contents. A decade-long effort to rebuild the architecture on a post-war budget proved shoddy, and within 15 years the replacement structure had fallen into disrepair. By the rapid decline of the 1970s, the glasshouse’s rotting wooden framework and broken glass panes had become emblematic of Liverpool’s floundering economy.
The Gardens closed without ceremony in 1984. With an unresolved labor dispute muddying the ground between the city council and the botanical workforce, Liverpool’s decision to shutter the space was labeled an act of political spite. What remained of the LBG’s extensive plant collection–now orphaned–was moved off-grounds. And, to some, the untold beauty and presence of a world-renowned paradise of exotic plants was lost to time.
Not long ago we introduced you to a new Plant Talk series we’re calling “Past in Focus,” in which we unearth historical photographs from the LuEsther T. Mertz Library archives and attempt to recapture the scenes as they appear today. A century-old landscape undergoes any number of changes at the hands of time, weather, and ambition, leaving us drawn in by details large and small that remain untouched. You can look at these photographs and–even if only just–make out the origins of the design beneath the carefully-tended aesthetic.
In 1916, the tract surrounding the Peggy Rockefeller Rose Garden was a plane of graded soil following an idea on paper:
Jane Dorfman is Reference Librarian/Exhibitions Coordinator in the LuEsther T. Mertz Library.
In conjunction with The Orchid Show, a small, but delightful array of orchid images is on view in the Rare Book and Folio Room and in the Reading Room of the LuEsther T. Mertz Library. The images were selected because they depict Brazilian orchids that are known to have been grown at the estate of Brazilian artist, architect, and landscape designer Roberto Burle Marx (1909–1994) and in the gardens that he created for others. The orchids highlighted include: Sobralia sessilis, Sophronitis grandiflora, Grammatophyllumspeciosum, and Laelia purpurata Lindl., the national flower of Brazil.
Walter Hood Fitch (1817–1892) one of the most celebrated lithographers of the 19th century, Mary Eaton (1873–1961), and Sarah Drake ((1803–1857) are some of the artists represented in the display.
Several images of Burle Marx and his home near Rio de Janeiro are also included.
To conserve the rare books on display, they will be replaced with other books midway through the exhibition.
The display is on view through April 10 during library hours: Tuesday–Thursday, noon to 6 p.m., and Friday and Saturday, noon to 5 p.m.