For centuries, water lilies have been thought of as emblems of purity and beauty. Philosophers marveled at how a stunning, symmetrically perfect flower–sometimes with a sweet, subtle perfume–was capable of arising from such muddy waters. But if the pristine blooms and large, glossy lily pads give the illusion of cleanliness, every gardener who has ever reached down into a pond to deadhead a spent bloom will attest to the fact that underneath the façade of exquisite beauty is a slimy mess.
As we approach the end of our Monet’s Garden exhibition (Sunday, October 21), the water lily display–one of the centerpieces of the show–is still in its full glory. But while this exhibition took its inspiration from Monet’s garden at Giverny, the artist found his love of the flower elsewhere. Monet’s water garden was transformed when he met Joseph Bory Latour-Marliac, the son of a wealthy, landowning French family. After studying law in Paris, Latour-Marliac returned to his home near Bordeaux to help his father manage his property. As an avid botanist, he soon developed a vast network with horticultural societies and botanists throughout the world.
You could call our spotlight on the lotus blossoms an opening act. The true marquee headliners of Monet’s Garden–the prima donnas of our current collection–are without a doubt their nearby neighbors, the water lilies. There is no other flower in the landscape of spring, summer, or fall that so thoroughly represents the oeuvre of master Impressionist Claude Monet.
In the closing years of his life, the genus Nymphaea would come to define Monet’s obsession. He pulled dozens and dozens of scenes from that iconic spot by Giverny’s Japanese bridge, bringing concept to canvas with a verve few painters could match, then or now. Today, his water lily series stands as the ostensible height of his contribution to the history of art.
“It took me time to understand my water lilies,” Monet once wrote. “I had planted them for the pleasure of it; I grew them without ever thinking of painting them.”
From time to time I teach flower arranging. It gives me the opportunity to play with color and exercise my artistic side. It is also rewarding to teach Garden visitors simple tips and techniques for producing colorful displays for their homes. With Monet’s Garden in full swing, I decided last weekend to focus on French floral arrangements.
I wasn’t terribly successful in uncovering the art of French floral design. It seemed like it’s become trendy to designate a floral design as being French, and I have had a hard time deciphering between those who were simply jumping on a marketing bandwagon and the true Francophiles.
I did discover a few sources that discussed the art of French floral design, however, and their bouquets and centerpieces were breathtaking. They were too elaborate for me to recreate, but they provided me with some principles that I could replicate in my simpler renditions.
Is there a rock star hiding in our Water Lily Pool?
What does the British Invasion of the ’60s have to do with the NYBG‘s Water Lily Pool? Well, some of our visitors think there might be a connection there, but the validity of the link has proven elusive. So, in looking at the water lilies now growing in the outdoor pond–many of them breeds championed by Monet at Giverny–I’m here to set the record straight. Come rock, roll, or high water.
If you spend a few minutes perusing the signage around the water lilies in our pool, you’ll doubtless run into the culprit at the center of the stir. Many of the cultivar names in the collection lean toward Latinized or Asian-inspired nomenclature, but not this one. Even with its flowers yet to bloom, there’s more than one visitor to Monet’s Garden who’s thrown a double take at Nymphaea ‘Ray Davies’.
I like to think Monet would approve of the Water Lily Pond here, with its artful, circular collections of pads, and the monolithic image of the Enid A. Haupt Conservatory over all.
Sonia Uyterhoeven is the NYBG‘s Gardener for Public Education.
Monet’s garden was a living canvas. In this space he experimented with his love of color and form. His knowledge of color theory and his artist’s eye informed the choices he made in his garden design. In turn, they offer good suggestions for the homeowner who is about to embark on their own planting project.
Last week we mentioned how one of Monet’s prominent concerns was capturing light and atmosphere. His garden was no different from the scenes he painted on his canvas. The color sequences that he created in his garden echoed changes in light and weather that he observed in the space. He used his artist’s eye to accentuate these changes and enhance the atmospheric quality of the place.
Taking place on Sunday, May 20, The New York Botanical Garden welcomes the Hartford Symphony Orchestra in hosting “Monet’s Friends,” an accompaniment to our exhibition that magnifies the art of the era through the strains of musical Impressionism. Your ticket to the chamber music series will also include access to Monet’s Garden, allowing a full-circle experience of the sights and sounds that France embodied in the late 1800s.
Beyond the masterful paintings that emerged from Claude Monet’s time at Giverny, the threshold of the 20th century brought with it a wealth of musical experimentation in Europe. From this innovative turn came revered French composers: Debussy, Roussel, Fauré. As contemporaries to the great visual Impressionist, their music–like Monet’s art–redefined genre boundaries, dipping into an atmospheric exploration of composition and technique that defied the conventions of the day.
Sonia Uyterhoeven is the NYBG‘s Gardener for Public Education.
This year we are celebrating the life of the artist and gardener, Claude Monet. From May 19th until October 21st you will find our show houses, water lily pools, and exhibition galleries re-creating and displaying pieces of the famous Impressionist’s life.
The artist’s palette, photographs, and records of his famous garden–as well as two rarely seen paintings of irises–will be on view in our Library’s exhibition gallery. Our Ross gallery will display photographs of Giverny through the seasons, produced by an American gardener who was involved in the restoration of the legendary garden.
Our show houses and water lily pools will capture the essence of Giverny, including the iconic Japanese foot bridge and his Grand Allée. Throughout the summer we will discuss Monet as an artist and gardener, taking a look at his use of light and color in the garden and exploring some take-home lessons from his design strategies and gardening techniques.
The Biodiversity Heritage Library is a consortium of twelve natural history and botanical libraries that cooperate to digitize and make accessible the legacy literature of biodiversity held in their collections and to make that literature available for open access and responsible use as a part of a global “biodiversity commons.”
The Sun Sets on the Palm House at Kew by Jeff Eden - Winner of the IGPOTY special commendation for Best Image of Kew
Happy Monday everyone! Ann Rafalko here, editor of Plant Talk and Director of Online Content at NYBG, to let you know that Plant Talk is going on vacation. Or, more precisely, I’m going on vacation, and I’m taking you with me!
I’ll be visiting a few of the world’s greatest gardens, and sharing my adventures with you, right here on Plant Talk. Additional posting will be light, so stay tuned for this special two-week adventure.
In just a few hours I will be hopping the pond to London where I’ll be visiting a few of my colleagues at Kew. I will also be taking a look at the IGPOTY exhibition (where at least one talented NYBG visitor’s photograph will be on display next year!), visiting the Chelsea Physic Garden, and checking out some of the best gardening shops the capital city has to offer. Then, on Friday, I’ll be heading to the City of Lights for a few days. I’m hoping to visit Monet’s garden at Giverny (more on why soon!), and to explore how the Parisians fit gardens into their historic urban landscape.
So stay tuned, and if you have any tips on garden-related places I should visit while in London and Paris, please feel free to leave a comment below. Bon voyage!
For centuries, water lilies have been thought of as emblems of purity and beauty. Philosophers marveled at how a stunning, symmetrically perfect flower–sometimes with a sweet, subtle perfume–was capable of arising from such muddy waters. But if the pristine blooms and large, glossy lily pads give the illusion of cleanliness, every gardener who has ever reached down into a pond to deadhead a spent bloom will attest to the fact that underneath the façade of exquisite beauty is a slimy mess.
