The first week of August brings summer at NYBG to new heights of lush greens and eye-popping flowers. Blooms stretch forth across the Perennial Garden and Seasonal Walk. Water lilies and lotuses bring bursts of color to the Conservatory Pools, while the Native Plant Garden is abuzz with pollinators enjoying the perennials in the meadow and the wetland.
Indoors or out, the Garden is full of life, from the classic plantings of Impressionism: American Gardens on Canvas in the Haupt Conservatory, to the thriving vegetable beds in the Ruth Rea Howell Family Garden—the heart of the future Edible Academy that you can help launch through our first-ever Kickstarter campaign.
Getting outside in summer is a must, and it just so happens we’ve got 250 acres to explore.
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
This year marks the 400th anniversary of the death of William Shakespeare in 1616. Throughout the world, scholars and institutions have been celebrating the bard’s life and work—including the World Shakespeare Congress held in Stratford-Upon-Avon and London last week and this week. On an appropriately literary note, one of the books about Shakespeare that has been published in 2016 comes from Jackie Bennett and the Shakespeare Birthplace Trust. That book is Shakespeare’s Gardens.
Shakespeare and his usage of plants in his works is a popular topic in botanical and garden history. In fact, the NYBG Mertz Library has over thirty books related to the playwright. The earliest, The plant-lore & garden-craft of Shakespeare by Henry N. Ellacombe, was published in 1884. With such a rich legacy of books on this topic, the question becomes what another publication could add to the corpus.
Maintaining a healthy lawn through the unrelenting heat of summer isn’t easy. As with any other plant or plant community, stress increases susceptibility to diseases and reduces the ability to recover from injury. High daytime heat, as well as warm overnight temperatures provide more than enough additional stress to negatively impact your turf. Below are just a few steps that can help your lawn get through the summer.
Stevenson Swanson is the Science Media Manager at The New York Botanical Garden.
Ah, New York in the summer. So many fetid fragrances fill the air. The garbage on the sidewalk, the hot blast of exhaust from a passing bus, the dank odor of the subway—these and even less savory sources best left to the imagination all add their odors to the city’s atmosphere on a hot, humid day.
That makes it all the more remarkable that thousands of New Yorkers have flocked to The New York Botanical Garden to see the corpse flower that is now blooming in the Enid A. Haupt Conservatory. Apart from its size and striking appearance, the plant is notable for its stench, often compared to the smell of rotting flesh, which is the clever ploy it has evolved to attract pollinators.
Perhaps the fact that the plant blooms so infrequently and unpredictably draws most people, but many seem fascinated by the phenomenon that something in nature would smell this bad on purpose.
As a kid growing up in Northern New Jersey I was fascinated with biology and the diversity of nature. The idea of plants that catch and devour insects, trees thousands of years old reaching up like sky scrapers, and plants developing an army of vicious spines as defense was irresistible. I read as much as I could find about strange and unusual plants. I distinctly remember seeing an illustration and a description about a plant with a flower as large as a human, one that took ages to reach blooming size, smelled like rotting flesh, and looked like it came from outer space—it all seemed too wild to be true.
The blooming of Amorphophallus titanum has been one of the “holy grails” of botanical garden horticulture since the first plants were coaxed into bloom by gardeners nearly a century ago. First recorded by science in 1878, I can only imagine what botanists thought upon seeing the inflorescence for the first time. Anyone who has seen reports or images of the plant in flower would agree these plants look more like photographic trickery than reality. Often described as a “once in a lifetime event,” it is no wonder that when a plant of the Corpse Flower blooms it creates a sensation, with people flocking to see it with their own eyes.
Interns and green professionals join Michael Hagen in the Native Plant Garden.
This year’s 4th Annual Tri-State Green Industry Intern Field Day, held on July 20, 2016, attracted over 135 people, of which 110 of them were interns. Many arrived early to explore and visit the Impressionism exhibition in both the Haupt Conservatory and Library Gallery, and were fortunate to see the corpse flower (Amorphophallus titanum) bud which had just been put on display in the Palm Dome’s pool.
The program began in the Ross Lecture Hall with Todd Forrest, the Arthur Ross VP for Horticulture & Living Collections, welcoming the guests and introducing Charles Yurgalevitch, Ph.D., Director of the School of Professional Horticulture, who opened the program and explained the afternoon’s events. He then introduced the four speakers in the program. The first to speak was Ken Druse, author and photographer. He called on a few interns to ask them what they were doing and what they hoped to do as they launch their horticulture careers, leading an interactive discussion with the room.
On June 19, we welcomed Artist in Residence James Gurney and 24 of the region’s top plein-air painters for NYBG’s first ever Plein-Air Invitational.
Organizing a Plein-Air festival was a new experience for all of us. We worked with different internal teams as well as James Gurney, who provided valuable suggestions. With his help, we selected the best locations for paintings and included models dressed in Victorian period attire. We also took pictures of the different gardens for the artists to visualize our surroundings before they arrived. We sent these images along with the event guidelines and each of the artists responded with their three ideal locations. We collected all their responses and finalized all of the logistics.
On Sunday morning, our staff was ready to welcome these expert artists. We brought lunch, welcome kits, nametags, and all of our energy to greet them. For many of the artists it was their first time visiting our grounds, and everyone was excited to share their talent and see the Garden as their muse.
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
Gardening on a Shoestring: 100 Fun Upcycled Garden Projects speaks to the home crafter in us all. The newest book from Alex Mitchell (author of several titles including The Edible Balcony: Growing Fresh Produce in Small Spaces), Shoestring offers simple gardening tips, plant recommendations, and money-saving shortcuts to achieve popular garden plantings.
My initial expectation was for Shoestring to be laid out somewhat like Pinterest, but in book form. I expected each project to be numbered, and each task to be a simple, one-off guide for a particular gardening craft. Actually, Shoestring is laid out more like a conventional gardening book, with sections dedicated to topics such as initial garden set-up, container gardening, food gardening, and pest control. Although this wasn’t what I was expecting, the format works incredibly well. Not only does Mitchell offer garden projects within a variety of topics, the layout of the book acts as a clear narrative for the beginner gardener. A section of Shoestring even addresses how to achieve particular garden designs—such as a prairie garden or a topiary “garden”—on a budget.
Elizabeth Benotti creates wonderful ceramic goods at her studio in Concord, NH. Her unique planters are some of our favorite products. Carefully crafted from porcelain and then hand painted and glazed, her work is stunning and unique. Hoping to bring back an appreciation for handmade goods and emphasize the importance of creating a strong feeling of home is what motivates Elizabeth. We had the pleasure of speaking with her and finding out more about her creative process and how she got started.
