Wooden poetry boards sit alongside each other on a sunny day

The Bond of Live Things Everywhere

September 17–November 6, 2022

10 a.m.–6 p.m. | At the Garden

Curated by poet and scholar Joshua Bennett, The Bond of Live Things Everywhere stages Black poetry and performance in the open air, in close proximity to the water and the trees, as well as the live things that evade such proper names.

Inspired in part by “The Clearing”—a green space cut deep in the woods where a free Black community finds grace in Toni Morrison’s Beloved—this installation explores the bond between Black freedom dreams and stewardship of the Earth. We share this combination of poetry and music in pursuit of a collective vision, an electric conviviality, rooted in the Black environmental imagination.

This is a call to The Clearing. An invitation to encounter the planet we call home on new, and more liberating, terms.

This exhibition is presented in partnership with the Poetry Society of America. Support for this project has been provided by The Destina Foundation, The David Rockefeller Fund, and Humanities New York. Additional support provided by The New York City Department of Cultural Affairs, The National Endowment for the Arts, and The New York State Council on the Arts.

Curator: Joshua Bennett
Exhibition Design:
Morcos Key
Sound Design: Marcus Johnson

About the Creators

For 30 years, The Poetry Society of America has worked with poets, designers, and artists to develop imaginative projects that bring poetry to parks, transit systems, and other public spaces. The PSA has collaborated with the NYBG for more than a decade on public poetry projects, and also supports poets at all stages of their careers through awards and prizes, web and print publications, and education programs. This exhibition features the works of 11 poets.

Meet the Participating Poets

Poetry Society of America Logo in black and white, depicting a stylized golden lyre on the left

Morcos Key is a Brooklyn-based design studio collaborating with arts and cultural institutions, nonprofits, and commercial enterprises in North America and the Middle East. They translate their clients’ stories into visual systems that demonstrate how thoughtful conversation and formal expression make for impactful design.

Two people in contrasting black, white, and beige outfits pose for a photo in a creative studio

View the Opening Symposium of The Bond of Live Things Everywhere

  1. Lucille Clifton, “cutting greens” from How to Carry Water: Selected Poems of Lucille Clifton. Copyright © 2020 by The Estate of Lucille Clifton. Reprinted by permission of The Permission Company LLC, on behalf of BOA Editions Ltd.

    Camille Dungy “Language” from What to Eat, What to Drink, and What to Leave for Poison. Copyright © 2006 by Camille Dungy. Reprinted by permission of The Permission Company LLC, on behalf of Red Hen Press.

    Ross Gay, “Thank You” from Against Which. Copyright © 2006 by Ross Gay. Reprinted with the permission of CavanKerry Press, Ltd. Reprinted by permission of The Permission Company LLC, CavanKerry Press, Ltd.

    Nikki Giovanni, “Winter Poem” from The Collected Poetry of Nikki Giovanni. Copyright © 1996 by Nikki Giovanni. Courtesy of HarperCollins Publisher.

    Aracelis Girmay, “Elegy” from Kingdom Animalia. Copyright © 2011 by Aracelis Girmay. Reprinted by permission of The Permission Company LLC, on behalf of BOA Editions Ltd.

    Robert Hayden, “Frederick Douglass” from Collected Poems of Robert Hayden, edited by Frederick Glaysher. Copyright © 1966 by Robert Hayden. Used by permission of Liveright Publishing Corporation.

    Terrance Hayes “American Sonnet for My Past and Future Assassin” from American Sonnets for My Past and Future Assassin. Copyright © 2018 by Terrance Hayes. Reprinted with the permission of Penguin Books.

    Tim Seibles, “Fearless” from Buffalo Head Solos. All rights reserved. Reprinted with the permission of the poet.

    Richard Wright, from Haiku: The Last Poems of an American Icon, by Richard Wright. Copyright © 1998, 2012 by Ellen Wright. Reprinted with the permission of Arcade Publishing.